Rennie Harris Puremovement offers embodied history for our times in a livestreamed performance from the Annenberg. Melissa Strong reviews.

Dancer and choreographer Hope Boykin premieres ‘Redefine US, from the INside OUT,’ a personal and emotional journey that explores identity through suffering and renewal. Camille Bacon-Smith reviews.

BalletX concludes its spring season of world premieres as it began, dancing with the camera in three new short films by choreographers Maddie Hanson (‘Virtuality’), Gustavo Ramirez Sansano (‘Hernando's Hideaway’), and Stephanie Martinez (‘Her Blood a Wild River’). Camille Bacon-Smith reviews.

‘A Modern-Day Carmen Fantasy’ reunites the Philadelphia Orchestra with Brian Sanders’ JUNK for an innovative concert with movement for home viewers. Melissa Strong reviews.

BalletX continues its season of world-premiere short dance films, with a third installment featuring choreographers Tsai Hsi Hung, Manuel Vignoulle, and Francesca Harper. Camille Bacon-Smith reviews.

The Martha Graham Dance Company offered a taste of the company’s rich and emotionally charged repertoire in a series of excerpts from Graham’s best-loved works, performed by Lloyd Knight and Xin Ying. Camille Bacon-Smith reviews.

What is the state of ‘The Nutcracker’—beloved holiday tradition and the dance-company equivalent of retail’s Black Friday—in 2020? Melissa Strong considers.

BalletX dances with the camera in three very short films that explore collaborations between choreographers, dancers, filmmakers, and the urban and natural landscapes of the city and its exurbs. Camille Bacon-Smith reviews.

PHILADANCO! explored love and struggle with emotional performances by Joe González and Janine Beckles, in a show that brought distanced audiences as close as possible to the theater. Camille Bacon-Smith reviews.

Pam Tanowitz Dance’s Philadelphia premiere combines elegance with immediacy in a virtual performance. Melissa Strong reviews.