Elba Hevia y Vaca both embraces and transcends the art of flamenco with her new solo show, mining her roots as an artist and a woman. Melissa Strong reviews.

The 2019 Fringe Festival presents choreographers Evalina Carbonell and Melissa Rector’s ‘Honey,’ a dance in seven movements inspired by Mary Oliver’s poem 'The Honey Tree.' Camille Bacon-Smith reviews.

Take It Away Dance meditates on keeping time and what makes us human through the mediums of tap dance and jazz music. Kat J. Sullivan reviews.

Steve Reich’s music is illuminated by the brilliant choreography of Anne Teresa De Keersmaeker. Margaret Darby reviews.

The curated 2019 Fringe Festival presents choreographer Mariana Arteaga’s joyous communal dance through the streets of South Philadelphia and raises questions about art and context. Camille Bacon-Smith reviews.

Choreographer Nichole Canuso returns to work inspired by the loss of her mother with ‘Sneakers,’ her Philly Fringe offering at Theatre Exile. Merilyn Jackson reviews.

Brian Sanders’ JUNK presents 'Skein of Heart,' a labyrinth of conflicted emotion that marks the 20th anniversary of the company’s first Fringe performance. Melissa Strong reviews.

Is it cheesy? Yup. Does this dance critic tune in for ‘So You Think You Can Dance’ every week? Definitely. Camille Bacon-Smith considers.

BalletX performs the world premiere of Annabelle Lopez Ochoa’s first full-length ballet, an adaptation of Antoine de Saint-Exupéry’s 'The Little Prince' that is entertaining to watch and beautiful to behold. Melissa Strong reviews.

The women’s dance troupe Three Aksha presents a performance of dance and music in the classical Bharatanatyam tradition of Southern India. Camille Bacon-Smith reviews.