The company brings its spring series back to its South Philly roots as the new artist in residence at Equilibrium Dance Academy. Camille Bacon-Smith previews.

On the night founder Joan Myers Brown received the Avenue of the Arts Visionary Award, PHILADANCO! gave us a taste of that vision to open its 52nd year. Camille Bacon-Smith reviews.

Choreographer Annabelle Lopez Ochoa talks with Camille Bacon-Smith about returning to the stage as a mentor for this year’s BalletX choreographic fellow Tsai Hsi Hung.

Project Moshen, Philadelphia’s all-female jazz dance company, presents Woman, a reimagining of its 2018 work examining a range of gender issues and some good old girl power nostalgia. Melissa Strong reviews.

KYL/D returns to live, in-person performance while also debuting at its new home, the Suzanne Roberts Theatre, with three works by its founder. Camille Bacon-Smith reviews.

This week’s roundup features events from artists Johnny Irizarry and Christina Castro-Tauser, and performances from Lyric Fest and the Chicago-based circus company Aloft. Kyle V. Hiller rounds up.

Camille Bacon-Smith previews Soledad Barrio and Noche Flamenca’s Ni Bien Ni Mal, Todo Lo Contrario, marking a return to the stage for the company.

Crossing Paths Movement Collective makes its Philadelphia premiere with works created by movement artists and choreographers Evalina “Wally” Carbonell, Sarah Carlson, Nick M. Daniels, and Malcolm Shute. Melissa Strong reviews.

The latest full-length narrative dance from Rennie Harris is a sharp, athletic, emotional retelling of the biblical prodigal son. Camille Bacon-Smith reviews.

The Philadelphia Ballet performs a trio of neoclassical ballet works, helmed by artistic director Angel Corella. Camille Bacon-Smith previews.