Reviews

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The three artworks: a wooden sculpture hanging in the center and the others on one wall each of the white-walled corner.

Drexel’s Pearlstein Gallery presents A Certain Slant of Light

Illuminating nature

A new Pearlstein Gallery show featuring three former Drexel professors spans sculpture, photography, and painting to explore our relationship with nature as part of a larger whole. Pamela J. Forsythe reviews.

Pamela J. Forsythe

Reviews 4 minute read
In opulent 17th-century Parisian clothes, the ensemble sits listening to Walker sing, each with different goofy expressions

Opera Philadelphia and Boston Lyric Opera present Joseph Bologne’s The Anonymous Lover

The genius of the Chevalier de Saint-Georges

Opera Philadelphia, selling out the season after offering $11 tickets to all, delighted a packed house with a faultless production of the only surviving opera by an 18th-century genius, the Chevalier de Saint-Georges. Gail Obenreder reviews.
Gail Obenreder

Gail Obenreder

Reviews 5 minute read
In a mirrored pose, Baby & Črnčič sit holding Medieval harps with leiken between them. They have serious but friendly faces

Penn Live Arts presents Benjamin Bagby’s Gregorius – The Holy Sinner

Loving a long-ago language

Veteran musician, performer, and scholar Benjamin Bagby returns to Philly alongside French Medieval music ensemble Sequentia for a thrilling performance of Gregorius, The Holy Sinner. Gail Obenreder reviews.
Gail Obenreder

Gail Obenreder

Reviews 5 minute read
A blond drag queen in spangled blue with a giant gauze boa dances joyfully amid the lavishly costumed ensemble.

EgoPo presents Mae West’s The Drag, adapted by Thomas Choinacky and AZ Espinoza

A deconstructed drag

EgoPo Classic Theater’s Queer Revolutions season opens with a reworking of Mae West’s The Drag that often feels condescending toward its source material. Cameron Kelsall reviews.
Cameron Kelsall

Cameron Kelsall

Reviews 3 minute read
Gallery photo of Cheng’s work, a rectangular yellow box with water pouring on a rock on one side & rocks waiting on the other

The Institute of Contemporary Art presents Carl Cheng: Nature Never Loses

Designed to destruct

The Institute of Contemporary Art hosts the first major museum survey of innovative interdisciplinary artist Carl Cheng, who has challenged ideas of art, science, culture, and nature for 60 years. Pamela J. Forsythe reviews.

Pamela J. Forsythe

Reviews 6 minute read
Three women spin joyfully in flowing long-sleeve dresses in shades of blue, seeming to float around them.

Penn Live Arts presents Agora de la danse’s Koros

Contemporary dance in virtual reality

Montreal’s Agora de la danse, a venue and incubator for contemporary dance, brought its virtual-reality experience, Koros, to Philly for the first time with a weekend of showings at the Annenberg Center. Melissa Strong reviews.
Melissa Strong

Melissa Strong

Reviews 4 minute read
3 actors with grave expressions stand among archivist desks with giant white newsprint words projected on the wall behind.

Tectonic Theater Project presents Moisés Kaufman and Amanda Gronich’s Here There Are Blueberries

A picture’s worth

Here There Are Blueberries, a touring production of Moisés Kaufman’s Tectonic Theater Project now onstage at McCarter Theatre Center, grapples with how to present the history of the Holocaust. Cameron Kelsall reviews.
Cameron Kelsall

Cameron Kelsall

Reviews 3 minute read
The three actors sit around a small table in a music studio full of amps, framed photos, and guitar. They talk, smiling.

Arden Theatre Company presents Michael Hollinger’s Holy Grail of Memphis

The past is not through with us

Philly playwright Michael Hollinger’s Holy Grail of Memphis, premiering at the Arden, follows the white owner of a historic Memphis music studio where the lost recordings of a Black blues legend are hiding. C.M. Crockford reviews.

C.M. Crockford

C.M. Crockford

Reviews 3 minute read

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Hobbs, smiling and holding a flower bouquet, faces Scharfman, who smiles excitedly and wears a floral dress.

Walnut Street Theatre presents Alfred Uhry’s Driving Miss Daisy

Not much has changed

With an uneven production of a politically limp script, Walnut Street Theatre continues its commitment to institutional whiteness with Driving Miss Daisy. nat čermák reviews.

nat čermák

Reviews 4 minute read
Close-up on a simple teapot in profile, made out of inviting matte silver metal with a gentle curving shape.

The Philadelphia Museum of Art presents Naoto Fukasawa: Things in Themselves

A world-renowned designer gets his first major US solo show at the PMA

Naoto Fukasawa is one of the world's most sought-after designers, and the PMA hosts his first major solo exhibition in the US, featuring a range of irresistibly practical objects. Pamela J. Forsythe reviews.

Pamela J. Forsythe

Reviews 4 minute read