A new production of Pinocchio from Arden Children’s Theatre turns kids into active participants, capturing imaginations and pulling back the curtain on the magic of theater. Natalie Layne reviews.

This world-premiere production of Bruce Graham’s Flatlanders debuted at 1812 earlier this year, and now the show continues at Delaware Theatre Company. But this script still can’t get off the ground. Gail Obenreder reviews.

Kun-Yang Lin Dancers shine in the world premiere of Breath into Air alongside Mandala Project and works by Weiwei Ma and Evalina Carbonell. Melissa Strong reviews.

Both movie and live theater audiences love thrillers, so why are frightening plays relatively rare? The University of Delaware’s Resident Ensemble Players delivers with a scary new production of Ira Levin’s Deathtrap. Gail Obenreder reviews.

A new exhibition by woodworker and interdisciplinary artist Gina Siepel at the Museum for Art in Wood asks what happens when we regard trees as “you” rather than “it”. Anndee Hochman reviews.

In a small gallery away from its usual bustle, Delaware Art Museum presents In Focus, a gathering of powerful works by women photographers featured from the museum collection. Gail Obenreder reviews.

With its spring program, Roots and Reflections, PHILADANCO! drew on popular works from past decades to prove that the vivid history of Black choreography still speaks to us today. Camille Bacon-Smith reviews.

The Philadelphia Film Society’s annual SpringFest brings popular films from Sundance and other festivals to town. This year, three prominent films paid homage to the cinematic legacy of the 1990s. Stephen Silver reviews.

Kindhearted Shen Te invents a ruthless businessman alter-ego when her generosity overtakes her wallet in The Good Person of Setzuan, presented in this “radically reclaimed” production at the Wilma centering Asian artists. Mina Reinckens reviews.

Philadelphia dancer and choreographer Gary W. Jeter II presents Filaments, a work exploring connections between humans and the structure of the universe. Melissa Strong reviews.