In ‘Foreign Tongues,’ Austrian dance company Liquid Loft mingled with the audience to explore communication through space and gesture and the spoken word. Camille Bacon-Smith reviews.

The Pennsylvania Ballet presents ‘La Bayadère,’ a classic tale of love and jealousy, betrayal and remorse set in a colonizers’ vision of an India that never was. Camille Bacon-Smith reviews.

JCWK Dance Lab’s ‘HOMEbody’ explores the physical embodiment of home in an ambitious and inspiring new dance. Melissa Strong reviews.

Ephrat Asherie’s exuberant choreography in the Philly premiere of ‘Odeon’ brought the normally staid Annenberg audience to its feet. Gary Day reviews.

A visit from Paul Taylor Dance Company at the Annenberg showcased the late choreographer’s unique vision and range in a program that didn’t always cohere. Melissa Strong reviews.

A site-adaptive work from Tori Lawrence & Co. engages modernist industrial architecture as found artistic spaces. Camille Bacon-Smith reviews.

IABD teams with PHILADANCO to bring its 32nd annual conference to Philly this week. THEN NOW NEXT features everything from industry panels to world-class performances to a high-spirited midnight African dance workshop. Vena Jefferson will be there.

After nine years, Dan Rottenberg's grandchildren are beginning to approach The Nutcracker more like adults than children.

PHILADANCO’s 'Xmas Philes' at the Annenberg reminded dance lovers of the full spectrum of holiday emotions. Melissa Strong reviews.

Philly’s own Kulu Mele celebrated its 50th anniversary at the Annenberg with the world-premiere 'Ogun and the People,' a story of the Orisha based on Afro-Cuban culture. Camille Bacon-Smith reviews.