Writer Anndee Hochman is used to toggling through life: her mom, her family, her home, her work. So when life got grim, she decided to try juggling for real. How do you learn to catch and let go?

Sarah Knittel—not a Fringe queen, but certainly a mage or wicked-cool duke—gets us ready for the 2023 fest by sharing her Fringe journey as a self-producing artist.

When Gabrielle Kaplan-Mayer heard about Sinéad O’Connor’s death this summer, she became her 21-year-old self, sustained against harassment and injustice by a singular voice.

When art isn’t created for any particular site, how does it relate to the space where it’s exhibited, whether it’s a gallery, a prison, or a house of worship? Treacy Ziegler considers secular art in sacred places.

While Anndee Hochman faces treatment for osteoporosis, she remembers the different homes we live in, from our bones to our houses, and everything we’ll do to keep them standing.

Fredricka R. Maister felt grateful to find a therapist when she needed one most at the height of the pandemic. Their relationship wasn’t perfect, but should it have ended the way it did?

Heather Joelle Boneparth says the Eagles’s Super Bowl loss felt heavier than it should have: more grief was lurking, but also a new understanding of home, with a Philly flair.

Emily B. Schilling cared for her dying mother at home and, about a decade later, she faced a similar goodbye to her husband. Hospice is exhausting and heartbreaking, but she doesn’t regret one moment of it.

Headlines about mobs of disruptive teens are dominating Philly this year. Why won’t we invest in spaces that welcome youngsters and keep them safe? Camille Bacon-Smith considers in a conversation with the office of City Councilmember Isaiah Thomas.

Because of inaccurate and stigmatizing “autism awareness” campaigns, it took writer and educator Bridget Scanlan a long time to learn that she herself is autistic. Now, she advocates a new paradigm of acceptance.