‘Outside Mullingar,’ an Irish romance by John Patrick Shanley, receives a sweet-natured staging at Delaware Theatre Company. Cameron Kelsall reviews.

In Liz Moore’s first Philadelphia-set novel, police officer Mickey Fitzpatrick patrols the streets of Kensington searching for a killer who's targeting women with opioid addiction—one of whom may be her sister. Kirsten Bowen reviews.

The Delaware Contemporary marks the centennial of the 19th Amendment in its own style, with an eye on women’s lenses in ‘Focal Points: Women Advancing the Aperture.’ Gail Obenreder reviews.

Karyn Olivier’s epic exhibition at ICA looks at monuments: what they mean, and what they could mean. Gary Day reviews.

The Print Center’s yearly competition draws hundreds of entries from around the world, bringing photography and printmaking beyond traditional practice. Pam Forsythe reviews.

Angelina Weld Grimké’s 1916 play, ‘Rachel,’ a family drama written to combat the spread of racist US propaganda in the early 20th century, is as relevant today as it was a century ago. Hanae Mason reviews.

'Abigail/1702 A Twice Told Tale' imagines what happens to Abigail Williams 10 years after 'The Crucible.' Josh Herren reviews.

‘Lizard of Oz,’ a Philly Theatre Week offering spoofing a world of ‘Wizard of Oz’ stories, brings it all home to Philly. Michell Nugent reviews.

Hella Fresh Theater premieres ‘Osceola,’ a new play imagining a moment in the life of writer/director John Rosenberg’s grandmother. Josh Herren reviews.

Ephrat Asherie’s exuberant choreography in the Philly premiere of ‘Odeon’ brought the normally staid Annenberg audience to its feet. Gary Day reviews.