Kaleidoscope Cultural Arts Collective’s production of ‘Khepera’ is a vital contribution to North Philly theater and to Black women. Kyle V. Hiller reviews.

Set in a future in which climate change and advanced genetic testing have reshaped society, Jacqueline Goldfinger’s ‘Babel’ asks the price of a perfect society. Jill Ivey reviews.

The national tour of 'Hello, Dolly!' lands at the Academy of Music, continuing to dazzle while remaining faithful to Gower Champion’s original. Christina Anthony reviews.

Lightbox Film Center, which closed at University City's International House in December, has reopened on Broad Street, in partnership with University of the Arts. Stephen Silver visited the new location before its February grand opening.

Chelsea Marcantel’s ‘Everything Is Wonderful’ comes at an opportune time, as women’s rage flares—and men navigate a world that may value them more than they value themselves. Wendy Rosenfield reviews.

Delaware Symphony players meet the Mendelssohns and Caroline Shaw with virtuosic joie de vivre. Gail Obenreder reviews.

The Academy of Vocal Arts offers a production of Donizetti’s ‘La Favorite,’ in its original French version, where the worthwhile elements outweigh the questionable ones. Cameron Kelsall reviews.

An exhibition at the Brandywine River Art Museum celebrates the centennial of the 19th Amendment with an inclusive look at the faces and artifacts of the movement. Olivia J. B. Baxter reviews.

R. Eric Thomas, columnist and senior staff writer at ELLE.com, releases ‘Here For It,’ his debut essay collection, exploring code-switching, his sexuality, and being a person on the Internet. Kyle V. Hiller reviews.

The Mélomanie ensemble makes a chamber-music visit to Persia. Gail Obenreder reviews.