Who knew hues could be so riveting? Gail Obenreder reviews Kassia St. Clair’s colorful book.

‘Stan Hochman Unfiltered’ highlights an iconic Philly voice that took readers beyond the stats. Pamela Forsythe reviews.

Picking the right philosophical approach to your TV-in-isolation experience can be a daunting task. With zero spoilers, Mina Reinckens helps you choose the show that’s right for your quarantine.

Philly author Emma Copley Eisenberg’s debut, ‘The Third Rainbow Girl,’ discovers the aftermath of a murder in Appalachia that resonates throughout America. Katy Scarlett reviews.

Quarantined at home but craving the one-of-a-kind music of Philadelphia’s illustrious DIY scene? Aaron Pond is, too, with Kyle Press’s ‘Overtones, Drones, and Saxophones’ and Boy Dirt Car’s ‘Venice Beach.’

With theaters all over the country going dark indefinitely because of the coronavirus, how will live art continue to thrive? Dramaturg Alix Rosenfeld has news for you.

Suzanne Cloud sings the blues about the sounds of silence in the city, just as we were looking forward to all the Philly concerts for Jazz Month in April. But there’s hope for homebound jazz lovers—and neophytes who want in on the fun.

The COVID-19 pandemic and Mayor Kenney’s prohibition of large gatherings forced the Philadelphia Orchestra to live-stream a Beethoven concert from an empty Verizon Hall. Cameron Kelsall reflects on catching the concert from home and the effect of social distancing on the performing arts.

In ‘Foreign Tongues,’ Austrian dance company Liquid Loft mingled with the audience to explore communication through space and gesture and the spoken word. Camille Bacon-Smith reviews.

Irish director Ben Barnes takes on American troubles with REP’s ‘Crucible.’ Gail Obenreder reviews.