Curio Theatre Company’s ‘I Heart Alice Heart I’ explores a decades-long partnership with humor and tenderness. Cameron Kelsall reviews.

With ‘A Hundred Words for Snow,’ Inis Nua mounts a gorgeous production of a flawed play. Josh Herren reviews.

EgoPo Classic Theater’s production of ‘Fool for Love’ lacks the charged current that pulls the doomed central couple together, even as it guarantees their mutual destruction. Cameron Kelsall reviews.

Once again, the Idiopathic Ridiculopathy Consortium explores meaning, truth, language, and absurdity in ‘The Bald Soprano’. Cameron Kelsall reviews.

Beethoven loved composing piano trios, but they often get short shrift today. A Princeton University concert paired two lesser-known works with the famous “Archduke,” playing with a verve that proved the form’s ongoing worth. Linda Holt reviews.

‘Grey Rock,’ from a Palestinian writer/director and cast, reminds us that some things in life are worth pursuing not because they are easy, but because they are hard. Jill Ivey reviews.

Especially for those deep in the last 10 years of the Harlem jazz scene, one singer’s international rise has been a thrill. Gregory Porter is heading for his first concert at the Kimmel. Vena Jefferson will be there.

This story about a young person forced to commodify her every moment is an endearing and compelling window on claiming space in gamer-geek culture. Michelle Nugent reviews.

The Galleries at Moore present ‘Emerging Philadelphia,’ made up of three conceptually and materially distinct solo exhibitions by local artists Shona McAndrew, Matt A. Osborn, and Stacey Lee Webber. Alicia Link reviews.

In a theatrical epic, playwright Rajiv Joseph uses Soviet history to make us look at ourselves, right now in the United States. Brad Rothbart reviews.