Like its predecessor ‘Love, Simon,’ the Hulu series ‘Love, Victor’ moves the conversation about LGBTQ+ representation in mainstream media forward. But some voices still aren’t part of the conversation. Cameron Kelsall considers.

The inhabitants of ‘Ambushing the Void,’ the debut collection by Philly native James McAdams, search for connection and meaning wherever they can find it, but the tables are always turning. Kirsten Bowen reviews.

This globetrotting choose-your-own-adventure experience is interactive theater through your phone, running as part of this year’s SoLow Fest. Michelle Nugent reviews.

South Philly’s Da Vinci Art Alliance debuts an exhibition for the COVID era. ‘Colors of Hope,’ now up in the all-digital Gallery X, reminds us that better times are ahead. Pamela Forsythe reviews.

Originally commissioned to be performed at the Guggenheim, this series of short dance films features BalletX artists finding their way on unexpected stages. Merilyn Jackson reviews.

A new short documentary, ‘40 Years of Rocky: The Birth of a Classic,’ examines a movie that tells one story of Philadelphia. Are we writing a new history this month? Stephen Silver considers.

The second season of Hulu’s hit drama series ‘Ramy’ follows an Egyptian American family in New Jersey. Ramy Youssef’s protagonist makes a compelling antihero navigating violence, bias, and his own challenges with sex and love. Corey Qureshi reviews.

Actor, comedian, and writer Jenny Slate’s Little Weirds, a vulnerable and tender collection of offbeat essays, explores friendship, self-love, divorce, freedom, and just being a total weirdo. Christina Anthony reviews.

‘Identidad (As We Are),’ screened online at the 2020 Philadelphia Latino Film Festival, reflects on Peru’s tumultuous history leading up to its 2018 return to the FIFA World Cup. Christina Anthony reviews.

OperaDelaware made its first foray into pandemic-era performance with ‘Drive-Through Arias,’ a three-performance program featuring a trio of singers bringing opera’s greatest hits to the parking lot. Gail Obenreder reviews.