Charles Fuller’s 1982 Pulitzer Prize-winning play takes a look at racism in the US from 40 years before it—and remains relevant 40 years after it. David Block previews.

Clifford Odets’s pro-labor drama remains relevant, despite a clumsily didactic production by Quintessence Theatre Group. Cameron Kelsall reviews.

Theatre in the X and EgoPo's immersive adaptation of The Ways of White Folks, a classic Langston Hughes story collection, deserves the buzz it’s been getting at Glen Foerd mansion. Jeannine Cook reviews.

A revival of the American classic Waiting For Lefty highlights unionization efforts within and outside the arts industry. Melissa Lin Sturges speaks with director Kyle Haden about the power of storytelling and the importance of the collective.

Now at the Academy of Music as part of a national tour, Jagged Little Pill retrofits Alanis Morissette’s seminal album to a relentlessly topical contemporary musical. Cameron Kelsall reviews.

The Arden restages its popular adaptation of E. B. White’s Charlotte’s Web with a new cast sure to delight audiences of all ages. Krista Mar reviews.

Since Gabrielle Kaplan-Mayer first reviewed Fiddler on the Roof in 2018, antisemitism has continued to rise, and this new production from the National Yiddish Theatre Folksbiene strikes just the right note for our historic moment.

The award-winning take on Shakespeare’s Romeo & Juliet from Rennie Harris returns to Philly this weekend. Eileen B. Fisher previews.

A Mary Poppins for the stage at Quintessence, based on the original stories by P. L. Travers and the 1964 film, marries a book by Julian Fellowes with the original Sherman Brothers music (plus some new songs). Gabrielle Kaplan-Mayer reviews.

Odd Man Out from Martín Bondone, Carlos Armesto, and Facundo Bogarin is an immersive experience in complete darkness, following the story of a blind jazz musician. David Block previews.