Philadelphia Theatre Company launches its 2022–2023 season with new artistic directors and a world premiere musical that shines bright despite a disappointing performance from its celebrity star. Jill Ivey reviews.

Does the legendary play Arsenic and Old Lace hold up for today's audiences? Gail Obenreder reviews.

The Philly premiere of A Hit Dog Will Holler, onstage at Azuka, contrasts the online and IRL realms of today’s social activists with a special lens on Black women in these spaces. Krista Mar reviews.

Theatre Exile presents Hansol Jung’s Wolf Play, a poetically elliptical exploration of family bonds and casual trauma. Cameron Kelsall reviews.

Actor Penelope Reed brings iconic First Lady Eleanor Roosevelt to life in the regional premiere of this powerful one-woman show by Mark St. Germain, now onstage at Act II. SaraKay Smullens reviews.

Sensitive subjects get short shrift in Gidion’s Knot, which opens the season at Curio Theatre Company. Cameron Kelsall reviews.

Inis Nua’s Pop-Up Play in a Pub series returns with new leadership, and the lively American premiere of 10 Dates with Mad Mary. Cameron Kelsall reviews.

Delaware Theatre Company mounts writer/director Layon Gray’s Black Angels Over Tuskegee, a show about the men who trained to become the US Air Force’s first Black pilots. Jeannine Cook reviews.

The Glass Menagerie is a delicate masterpiece, but falls flat due to misunderstanding in the Arden’s season opener production. Cameron Kelsall reviews.

The short-lived Broadway musical adapted from the iconic film comes to the Walnut Street Theatre eight years after its limited Broadway run. Gabrielle Kaplan-Mayer reviews.