The Glass Menagerie is a delicate masterpiece, but falls flat due to misunderstanding in the Arden’s season opener production. Cameron Kelsall reviews.

The short-lived Broadway musical adapted from the iconic film comes to the Walnut Street Theatre eight years after its limited Broadway run. Gabrielle Kaplan-Mayer reviews.

More a work of theater than a play, Tall Order’s Those with 2 Clocks, now onstage at the Wilma, is funny, provocative, and beautifully designed. Jill Ivey reviews.

This touring Shakespearean reinvention turns Twelfth Night into a winning bilingual musical, integrating script, songs, English, and Spanish into a uniquely accessible and timely performance. Gail Obenreder reviews.

Hedgerow’s production of Martin McDonagh’s disturbing and thought-provoking drama The Pillowman is a worthy Philly-area destination this October. C.M. Crockford reviews.

The Living Gallery, an immersive, walk-through art installation, hosts Fringe performances of Unorthodox Methods of Cosmic Flight, a charmingly maximalist experience following a pair of wannabe cosmonauts. Jill Ivey reviews.

The Chairs, an early one-act masterpiece of absurdist theater from Eugène Ionesco, opens the 13th season of Mt. Airy’s Quintessence Theatre Group. Corey Qureshi reviews.

Eat Purple Theater Co. takes the bit and runs when a clown walks into a funeral in Facepaint, the company's first Fringe production. Helen Walsh reviews.

Four historical figures, two time-travelers, and one figure whose story is yet to be told, dance their way across the centuries Bill & Ted-style in a dance-theater piece about life, art, and reproductive rights. Jill Ivey reviews.

SPEECH, the latest from Lightning Rod Special, features the company's signature stellar ensemble work, skewering our cultural currents. Alaina Johns reviews.