This new production of August Wilson’s Radio Golf, the final work of an epic 10-play opus spanning 100 years, is perfectly positioned in the Philly season as we face the primary election for Philly’s 100th mayor. Jeannine Cook reviews.

After performances running from Philly to the UK and back, Jenna Kuerzi retires her irreverent and enlightening solo show Johnny Depp: A Retrospective on Late-Stage Capitalism. Cameron Kelsall reviews.

Opera Delaware and Opera Baltimore team up to bring La traviata to the stage in North Wilmington, using a bit of crafty magic. Dara McBride previews.

Cabaret has deep roots and a long life beyond its 1966 Broadway premiere, and a new production at Bristol Riverside Theatre honors the original creators’ intentions. Stephen Silver reviews.

The new Tudor sensation is finally in Philly as the national tour of SIX lands at the Academy of Music. Is it “a women’s show?" And what does that really mean? Alaina Johns reviews.

Did you know Philly Theatre Week 2023 actually runs for 11 days (and some shows go even beyond that)? Plus, it's pay-what-you-can! BSR podcaster Darnelle Radford gets into it with Katherine Clark and Jenna Kuerzi.

Three years into the coronavirus pandemic, Curio Theatre Company’s production of The Complete Deaths shows us that sometimes death can be a laughing matter. Jill Ivey reviews.

Brian Friel tackles the Russian master in The Bear and Afterplay, the latest double bill from Irish Heritage Theatre. Cameron Kelsall reviews.

Quintessence Theatre Group combines creative casting, minimalistic design, and a whole lot of masks for its ambitious production of Shakespeare’s The Tempest. Jill Ivey reviews.

Azuka teams with Teatro del Sol for the world premiere of AZ Espinoza’s All My Mothers Dream in Spanish, a magical exploration of ancestry and healing that’s also very much of the moment. Krista Mar reviews.