As James Ijames’s Pulitzer-winning and Tony-nominated FAT HAM continues on Broadway, his latest world premiere, Abandon, gets a stand-out cast at Theatre Exile. Alaina Johns reviews.

CSz Philly’s Off the Record is a mockumentary musical improv featuring a unique performance with each showing. Daralyse Lyons previews.

It's something Philly will never get tired of saying: "Pulitzer Prize-winning playwright James Ijames." BSR podcaster Darnelle Radford sits down with cast members of his latest premiere, happening at South Philly's Theatre Exile.

There’s a surprise in the staging of Philadelphia Theatre Company’s Lady Day at Emerson’s Bar & Grill, which takes place just a few blocks from the venue that inspired it. Jill Ivey reviews.

Eternal Life Part 1, in its world premiere at the Wilma, offers a vision of the near future that is as strange and wondrous as it is relatable. Kiran Pandey reviews.

Delaware Theatre Company closes its 43rd season with a thoughtful, inventive, and dazzling rendition of the classic musical with the triple-decker story, Man of La Mancha. Gail Obenreder reviews.

A pair of strangers learn to be brothers in Hymn, a tender two-hander from Inis Nua Theatre Company. Cameron Kelsall reviews.

InterAct presents the world premiere of pay no worship, a play about very different cousins on a small Cape Verde island who grapple with the effects of climate change, despite too often being left out of the global conversation. Krista Mar reviews.

The national tour of Into the Woods loses the thread of Stephen Sondheim and James Lapine’s fairytale parable. Cameron Kelsall reviews.

Director and star Tony Braithwaite shines in Act II Playhouse’s Mistakes Were Made, a surprisingly emotional farce about the chaotic, horrible, hilarious reality of being a Broadway producer. C.M. Crockford reviews.