Stand-up comedian Jo Koy takes Netflix to the Philippines with a variety show featuring all Filipino artists spotlighting the Filipino experience. Kelly Conrad reviews.

With stages dark around the world, dance critic Merilyn Jackson remembers the path of her musical education, rooted in the sounds of Philadelphia.

In Robin Wasserman’s new novel, a woman arrives in Philadelphia with no memory. Years later, her daughter sets out to find out what happened to her there, and why she has left again. Kirsten Bowen reviews.

City dwellers and suburbanites tired of staying home should try ‘A Girl of the Limberlost,’ an early 20th-century treasure ripe for rediscovery by pandemic-weary readers. Pamela Forsythe reviews.

With four striking exhibitions and more to come, Delaware Contemporary reopens with a spotlight on three beguiling artists alongside a new community feature. Gail Obenreder reviews.

Best known as a work for orchestra by American composer Aaron Copland, 'Appalachian Spring' originated as a ballet of the same name. A 1944 recording of this Martha Graham Dance Company performance is now streaming for free, and Melissa Strong says it’s worth revisiting.

An album of music for solo piano and songs for soprano includes works by long-time Penn faculty member James Primosch, as well as music from one of his revered mentors, John Harbison. Peter Burwasser reviews.

Perhaps more than many other art forms, dance relies on the physical energy between dancers and their audience. Adapting to life in a pandemic is a special challenge for these companies. Leaders at Kun-Yang Lin Dancers and Koresh Dance spoke with Camille Bacon-Smith.

With ‘Code Blue,’ the Wilma Theater engages a national dialogue and offers a possible step forward for filmed theatrical performances amid the ongoing shutdown. Cameron Kelsall reviews.

What if a nationwide rating system governed our lives? Marc-Uwe Kling’s dystopian 'QualityLand' imagines a world that might be right around the corner. Elisa Shoenberger reviews