Theater

2727 results
Page 242
Laherty, Pictot: Sidewalk therapy.

"small metal objects' at Live Arts Festival

Grasping at intimacy on a city street

small metal objects ingeniously invites us to eavesdrop on an intimate personal conversation in the context of a crowded urban street.
Jonathan M. Stein

Jonathan M. Stein

Articles 2 minute read
Embarrassing himself for decades.

Albee's "Zoo Story' at Villanova

The trouble with Edward Albee (and his characters, too)

Edward Albee's The Zoo Story may be historically important as the moment when American theater began to come out of the closet, but the play itself is dated, and difficult to perform convincingly unless played against the grain. In Joanna Rotté's spacious direction, it reveals some forgotten strengths, but also exposes inherent weaknesses.
Robert Zaller

Robert Zaller

Articles 8 minute read
Moriah Cebollero as Courtney Lee Wilson: A virtual life.

Whit MacLaughlin's "Fatebook' at Live Arts Festival (2nd review)

Theater of the future

I approached Fatebook's pre-production preparation with a degree of curmudgeonly skepticism. But I must admit: This show's fashioning of original art out of the newest social media modes of communication is a groundbreaking step into a theater of the future.
Jonathan M. Stein

Jonathan M. Stein

Articles 4 minute read
Anything to shock the commissars. (Photo: Lukasz Gawronski.)

Gombrowicz's "Operetta' at Live Arts Festival (2nd review)

1960s Polish bombast

This relic of the Soviet bloc seeks to detonate all ideologies, with uneven results for a contemporary audience that rarely sees such anarchic bombast on stage.
Jonathan M. Stein

Jonathan M. Stein

Articles 1 minute read
Strathairn, Thompson: Like a Dickens novel. (Photo: Mark Garvin.)

"Nathan the Wise' at People's Light (1st review)

A distant mirror in the Middle East

A modern translation of Gotthold Lessing's Nathan the Wise, an 18th-Century German fable about religious tolerance, receives a charming production at People's Light, with the noted stage and screen actor David Strathairn in the title role.

Bill Murphy

Articles 2 minute read
Dibble: His most physical role. (Photo: Mark Garvin.)

“Dirty Rotten Scoundrels” at the Walnut (2nd review)

Those misunderstood scoundrels

Dan Rottenberg's complaints notwithstanding, Dirty Rotten Scoundrels is above all a rejection of serious theater and a spoof of old Broadway musicals. On that admittedly lightweight level, it succeeds amply.
Steve Cohen

Steve Cohen

Articles 2 minute read
Lakis, Pacek: A throwback to the Cold War.

"Little Shop of Horrors' in Norristown

Something new in a cult classic

The hero of Little Shop of Horrors always thought of his man-eating plant as female. So why has it taken 49 years for a theater company to cast a woman as the plant?
Steve Cohen

Steve Cohen

Articles 2 minute read
Schoeffler, Rush, Dibble: Cotton candy.

"Dirty Rotten Scoundrels' at the Walnut (1st review)

No country for old (con) men

This musical comedy about a pair of con men on the Riviera is plagued by a fatal flaw that no amount of sprightly performances, witty lyrics, energetic music and lavish sets can camouflage: Its characters lack character. There is simply no one to root for or empathize with here.
Dan Rottenberg

Dan Rottenberg

Articles 4 minute read
Norton (left), Lynch: Confronting everything but a woman's true sexual nature.

"Nuda Veritas' at Fringe Festival

When women just don't get it

Four women pose all the right questions in their quest to explain women's inexplicable behavior. But thanks to their obfuscations, I actually knew less about women when I left the theater than when I entered. Playwright Melissa James Gibson could learn a thing or two from Tennessee Williams, not to mention evolutionary psychology.
Jim Rutter

Jim Rutter

Articles 4 minute read
Brykalski and Pietrzak: American Poles were embarrassed. (Photo: Lukasz Gawronski.)

Gombrowicz's "Operetta' at Live Arts Festival (1st review)

Satirist without a country, in search of an audience

The Polish émigré satirist Witold Gombrowicz never lived to see the gleeful mayhem of his Operetta onstage. This is a fresh production with some priceless performances, although American audiences may not know what to make of much of it.
Merilyn Jackson

Merilyn Jackson

Articles 4 minute read