Theater

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Berczynski: Pity the beauty. (Photo: Jonathan Sorber.)

Berczynski's "Life Is a Dream'

The depths of narcissism

In her latest one-woman exploration of narcissism, the gorgeous exhibitionist Aleksandra Berczynski engages in less complaining and more pondering about the unfortunate aspects of her existence.
Jim Rutter

Jim Rutter

Articles 4 minute read

"Edgar Allan Poe Comes Alive' at Fringe Festival

Poe as Rip Van Winkle

This year marks the 200th anniversary of the birth of Edgar Allan Poe, and Scott Craig Jones is Poe reincarnated. Too bad he chose to bring Poe into the present, instead of taking the audience back into Poe's past.
Steve Cohen

Steve Cohen

Articles 2 minute read
Appropriate objects of ridicule?

Pig Iron's "Welcome to Yuba City!' At Live Arts Festival (2nd review)

Shooting fish in a barrel

Dexterous characterizations and vivid costumes make Welcome to Yuba City! the funniest show in this year's Live Arts/Fringe Festival. But most of its humor derives from poking derisive fun at exaggerated stereotypes.
Jim Rutter

Jim Rutter

Articles 4 minute read
MacLaughlin: Shades of Wagner's 'Ring.'

Whit MacLaughlin's "Fatebook' at Live Arts Festival (1st review)

Actions and consequences in cyberspace

Whit MacLaughlin's Fatebook asks rhetorically: What actually happens in cyberspace? The answer eludes him, but in the process his 15-person troupe provides one of the most unique and immersive theatrical productions I've ever experienced.
Jim Rutter

Jim Rutter

Articles 4 minute read
Not so wild, but very funny.

Pig Iron's "Welcome to Yuba City!' at Live Arts Festival (1st review)

Way out West: A finely tuned ridiculousness

Pig Iron's Welcome to Yuba City! lampoons the absurdity of America's Western mythic culture while simultaneously displaying respect and affectionate empathy for its values— no easy feat in comic theater of this sort.
Jonathan M. Stein

Jonathan M. Stein

Articles 4 minute read
Daisey: Shouting at the sun on a hot day.

Mike Daisey's "How Theater Failed America'

Is there an economist in the house?

In a 100-minute rant, Mike Daisey purports to expose the economic forces destroying American theater. He succeeds in demonstrating only that actors know nothing about economics.
Jim Rutter

Jim Rutter

Articles 3 minute read
Campbell as 'The Entertainer': Spectacular monster.

Canada theater festival roundup

Only 24 hours from Broad Street: Five provocative days in Canada

In two charming Ontario towns through early November, you'll find theater as good as New York's or London's. At the Shaw and Stratford Shakespeare Festivals, I managed to squash eight plays and a hippy-dippy folk concert into five days. Here's what I saw.
Toby Zinman

Toby Zinman

Articles 8 minute read
Jonigkeit (left) and Kurtas: When good things happen to weak scripts. (Photo: Jill McCorkel.)

Mauckingbird's "Never the Sinner'

Leopold and Loeb, punished again

Fascinating performances, highly nuanced direction and strong production values manage to infuse tremendous theatrical power into John Logan's otherwise mediocre retelling of the famous 1924 Leopold-Loeb murder case.
Jim Rutter

Jim Rutter

Articles 3 minute read
Snelson: How to get picked.

Summer camp for show biz hopefuls

Tricks of the trade

Summertime, and many theater companies defray their fixed costs by conducting training camps for aspiring performers. But such camps are not all alike, as a recent exhilarating week-long program in Verizon Hall— more intense and more professionally-focused than the summer training schools run by several of Philadelphia's theater companies— reminded me.

Articles 4 minute read
Downie (left) and McGann: Up against the gods, the cast, and London air traffic.

Greek travesty: Euripides's 'Helen' in London

Euripides has a problem

The rarely performed Helen by Euripides is late Attic tragedy with a comic twist, as the beauty queen of ancient Greece is reunited with her husband Menelaus after the Trojan War. Deborah Bruce's production misconceives its material, and the result, despite Penny Downie's doughty performance in the title role, is neither comedy nor tragedy but travesty instead.
Robert Zaller

Robert Zaller

Articles 6 minute read