Theater

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Page 244
Sincere, self-indulgent musical fun.

Evan's "The Rock Tenor'

Rocks meets opera meets Broadway

Can rock, classical and Broadway music co-exist? The Rock Tenor ingeniously blends some of the best of each. It's an ingenious concept, brilliantly executed— until Act II, when it runs out of gas.
Jim Rutter

Jim Rutter

Articles 3 minute read
Is self-improvement destructive?

LaBute's "The Shape of Things'

The goddess and the dork, and what else is new?

Neil LaBute's The Shape of Things purports to offer us a new take on a familiar literary theme: a man or woman trying to change in order to deserve someone else's love. But LaBute adds little to the theme, other than the shock of exquisite viciousness.
Jim Rutter

Jim Rutter

Articles 4 minute read
Hicks with harmonica: It's not about me? Oh, yes it is.

"Grease' at the Academy of Music

You can't deny he's greasy

Grease was not the word at the Academy of Music Tuesday night. Instead, the prime attraction was a bit-part “star”— the slimy “American Idol” crooner Taylor Hicks.
Jim Rutter

Jim Rutter

Articles 3 minute read
Harrower: Beyond pedophilia, theater that teaches.

Harrower's "Blackbird' revisited

The healing power of theater: Deconstructing Harrower's Blackbird

The playwright David Harrower refuses to discuss the meaning of Blackbird, his riveting drama about the long-term consequences of sexual abuse. Instead, since Blackbird's Philadelphia run in February, he has left that discussion to the rest of us. As a family therapist, I see dramatic parallels between my understanding what a client is trying to tell me and our attempts to grasp this playwright's clues to what his play is really about.
SaraKay Smullens

SaraKay Smullens

Articles 7 minute read
Jacques 'undresses' Jenny Lind: All in our minds.

Robert Lepage's "The Andersen Project'

Robert Lepage goes back to basics (and Hans Christian Andersen comes out)

Unlike most of Robert Lepage's high-tech spectacles, The Andersen Project depends mostly on the spoken word and the audience's imagination. This was fine with me, but some audience members seemed surprised and disappointed.
Steve Cohen

Steve Cohen

Articles 4 minute read

"Spring Awakening' at Academy of Music (2nd review)

Musical therapy for teenagers

Clearly, nothing changes in adolescence since Frank Wedekind first wrote Spring Awakening more than a century ago. As a survivor of that tortured experience, I just wish someone other than composer Duncan Sheik had attempted to write this musical adaptation 40 years ago.
Jim Rutter

Jim Rutter

Articles 5 minute read
Christy Atomare, Kyle Riabko: The audience laughe<i></i>d at the wrong times. (Photo: Paul Kolnik.)

"Spring Awakening' at the Academy of Music (1st review)

Adolescence and sex: The cartoon version

The Broadway musical Spring Awakening arrived trailing a slew of awards (including the Tony for Best New Musical of 2007). But this staging amounts to a cartoon version of Frank Wedekind's landmark play about the repressed adolescence in 1890s Germany.
Steve Cohen

Steve Cohen

Articles 4 minute read
David Greenspan as Other Mother: Casting against type, in a big way.

"Coraline' off-Broadway

The joy of quirkiness

Coraline, based on the young adult novel by Neil Gaiman, is musical proof positive that you don't have to be cynical to be sophisticated.
Toby Zinman

Toby Zinman

Articles 3 minute read
Phelan: More vulnerable than Streep's dragon lady. (Photo: Mark Garvin.)

Shanley's 'Doubt' at People's Light

The courage to stand up (to Meryl Streep)

John Patrick Shanley's Doubt was inspired by the Catholic Church's sex scandals, but it's not a didactic work. People's Light offers a production that respects the play's subtleties and ambiguities.

Bill Murphy

Articles 2 minute read
Carson, Resnik: Appealing songs and players, but... (Photo: Mark Garvin.)

PTC's "Grey Gardens' (2nd review)

The lighter side of squalor

In Philadelphia Theatre Company's production of Grey Gardens, Joy Franz as the mother and Hollis Resnik as the daughter preen in such an exaggerated style that they lose our empathy. Theater is a different medium from the cult film on which this musical is based. They should show us, not tell us what we need to know.
Steve Cohen

Steve Cohen

Articles 4 minute read