People’s Light stages this informative and engaging one-man drama about lawyer Thurgood Marshall, who became the first Black justice on the US Supreme Court. An Nichols reviews.

Big Daddy steals the show in Walnut Street Theatre’s new production of Cat on a Hot Tin Roof. Cameron Kelsall reviews.

It’s fitting that the new national tour of 1776 (without any cis men in the cast) is getting started here, in the city where it happened. Jill Ivey reviews.

Inis Nua brings a popular Scottish playwright to the Philly stage with Meet Me at Dawn, but the performance is more moving than satisfying. C. M. Crockford reviews.

A new exhibition revealing 100 years and three generations of the Forten family in Philadelphia is a must-see. Crystal Sparrow visits.

Philadelphia Theatre Company’s Empathitrax tests the limits of love and pharmaceutical intervention. Cameron Kelsall reviews.

Good Grief, in its regional premiere at Hedgerow Theatre Company, offers a sometimes touching, mostly frustrating, portrayal of grief. Kiran Pandey reviews.

It should be a wonderful night for Rashad and Genesis, but the couple’s complicated pasts come to the surface as they face their future in Theatre Exile’s production of The Light. Corey Qureshi reviews.

South Camden Theatre Company puts the “amp” in “camp” and the “art” in heart in its production of Matthew López’s The Legend of Georgia McBride. Jill Ivey reviews.

Drexel professor and fashion journal editor Joseph H. Hancock II’s Fashion Brand Stories was originally written for students of the industry, but with its third edition, the book proves of much wider interest. Pamela J. Forsythe reviews.