Moving… Beyond Forward, an evening of four exciting works at the Kimmel’s Perelman Theater, highlighted longtime PHILADANCO! creators with a mix of premieres and reimagined older work. Camille Bacon-Smith reviews.

A new sound installation by Oklahoma-based interdisciplinary artist and Delaware Tribe of Indians member Nathan Young comes to Pennsbury Manor with a disappointing execution. Aaron Pond reviews.

For its first concert at Longwood Gardens, Lyric Fest honored Earth Day with a program inspired by Johann Wolfgang von Goethe’s surprisingly sophisticated 1790 text The Metamorphosis of Plants. Gail Obenreder reviews.

There’s a surprise in the staging of Philadelphia Theatre Company’s Lady Day at Emerson’s Bar & Grill, which takes place just a few blocks from the venue that inspired it. Jill Ivey reviews.

Eternal Life Part 1, in its world premiere at the Wilma, offers a vision of the near future that is as strange and wondrous as it is relatable. Kiran Pandey reviews.

Delaware Theatre Company closes its 43rd season with a thoughtful, inventive, and dazzling rendition of the classic musical with the triple-decker story, Man of La Mancha. Gail Obenreder reviews.

This year’s PFS SpringFest featured 18 films in three days, including Ray Romano’s directorial debut, genre-bending action in Polite Society, and Sisu, about a violent rout of the Nazis in Finland. Stephen Silver reviews.

A pair of strangers learn to be brothers in Hymn, a tender two-hander from Inis Nua Theatre Company. Cameron Kelsall reviews.

InterAct presents the world premiere of pay no worship, a play about very different cousins on a small Cape Verde island who grapple with the effects of climate change, despite too often being left out of the global conversation. Krista Mar reviews.

This spring, Delaware Art Museum boasts a pair of striking but very different exhibitions: Our Red Planet: Anna Bogatin Ott and Estampas de la Raza: Contemporary Prints from the Romo Collection. Gail Obenreder reviews.