Clifford Odets’s pro-labor drama remains relevant, despite a clumsily didactic production by Quintessence Theatre Group. Cameron Kelsall reviews.

A new sculpture exhibition at the Clay Studio features diverse artists from across the country whose figurative works demand a deeper look. Pamela J. Forsythe reviews.

Theatre in the X and EgoPo's immersive adaptation of The Ways of White Folks, a classic Langston Hughes story collection, deserves the buzz it’s been getting at Glen Foerd mansion. Jeannine Cook reviews.

Philadelphia has a thriving and innovative musical scene, but that’s nothing new as The Publick Pleasure proved at a Main Line Early Music concert highlighting favorites of the 18th century that are almost unknown today. Gail Obenreder reviews.

Expect the unexpected at a colorful and challenging new solo exhibition from internationally known interdisciplinary artist Alex Da Corte, a Camden native and UArts grad. Emily B. Schilling reviews.

This look at the William Way archives from Rami George highlights the artist's knack for curating material objects, which take on a fresh, interactive meaning in this gallery. Jake Foster reviews.

Star soloist Daniil Trifonov brought lyricism and weight to Brahms’s Second Piano Concerto in the New Jersey Symphony’s first concert program of 2023. Cameron Kelsall reviews.

What makes city reform possible, and how did we achieve it in the past? A new book on the history of Philly’s political reforms explains, and argues, we’re on the cusp of another cycle of change. Pamela J. Forsythe reviews.

Now at the Academy of Music as part of a national tour, Jagged Little Pill retrofits Alanis Morissette’s seminal album to a relentlessly topical contemporary musical. Cameron Kelsall reviews.

Lifelong Philly-area activist George Lakey takes us from his working-class Pennsylvania childhood to his career as a leading practitioner, theoretician, and teacher of nonviolent social-change activism. David W. Webber reviews.