Reviews
                        1062 results
                    
                    
                        Page 19
                    
                 
                The Crossing presents what can I know?
“America’s most interesting choir” lives up to its reputation
            Following a fourth Grammy Award, The Crossing presented a concert in Chestnut Hill featuring the world premiere of Sebastian Currier’s Mysterium and the North American premiere of Linda Catlin Smith’s Folio. Gail Obenreder reviews.
        
         
                                                
                    
                                            
                        
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                Drexel University’s Pearlstein Gallery presents A Certain Slant of Light
Illuminating nature
            A new Pearlstein Gallery show featuring three former Drexel professors spans sculpture, photography, and painting to explore our relationship with nature as part of a larger whole. Pamela J. Forsythe reviews.
        
        
                    
                                            
                        
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                Opera Philadelphia and Boston Lyric Opera present Joseph Bologne’s The Anonymous Lover
The genius of the Chevalier de Saint-Georges
            Opera Philadelphia, selling out the season after offering $11 tickets to all, delighted a packed house with a faultless production of the only surviving opera by an 18th-century genius, the Chevalier de Saint-Georges. Gail Obenreder reviews.
        
         
                                                
                    
                                            
                        
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                Penn Live Arts presents Benjamin Bagby’s Gregorius, The Holy Sinner
Loving a long-ago language
            Veteran musician, performer, and scholar Benjamin Bagby returns to Philly alongside French Medieval music ensemble Sequentia for a thrilling performance of Gregorius, The Holy Sinner. Gail Obenreder reviews.
        
         
                                                
                    
                                            
                        
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                EgoPo presents Mae West’s The Drag, adapted by Thomas Choinacky and AZ Espinoza
A deconstructed drag
            EgoPo Classic Theater’s Queer Revolutions season opens with a reworking of Mae West’s The Drag that often feels condescending toward its source material. Cameron Kelsall reviews.
        
        
                    
                                            
                        
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                The Institute of Contemporary Art presents Carl Cheng: Nature Never Loses
Designed to destruct
            The Institute of Contemporary Art hosts the first major museum survey of innovative interdisciplinary artist Carl Cheng, who has challenged ideas of art, science, culture, and nature for 60 years. Pamela J. Forsythe reviews.
        
        
                    
                                            
                        
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                Penn Live Arts presents Agora de la danse’s Koros
Contemporary dance in virtual reality
            Montreal’s Agora de la danse, a venue and incubator for contemporary dance, brought its virtual reality experience, Koros, to Philly for the first time with a weekend of showings at the Annenberg Center. Melissa Strong reviews.
        
         
                                                
                    
                                            
                        
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                Tectonic Theater Project presents Moisés Kaufman and Amanda Gronich’s Here There Are Blueberries
A picture’s worth
            Here There Are Blueberries, a touring production of Moisés Kaufman’s Tectonic Theater Project now onstage at McCarter Theatre Center, grapples with how to present the history of the Holocaust. Cameron Kelsall reviews.
        
        
                    
                                            
                        
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                Arden Theatre Company presents Michael Hollinger’s Holy Grail of Memphis
The past is not through with us
Philly playwright Michael Hollinger’s Holy Grail of Memphis, premiering at the Arden, follows the white owner of a historic Memphis music studio where the lost recordings of a Black blues legend are hiding. C.M. Crockford reviews.
 
                                                
                    
                                            
                        
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                Walnut Street Theatre presents Alfred Uhry’s Driving Miss Daisy
Not much has changed
            With an uneven production of a politically limp script, Walnut Street Theatre continues its commitment to institutional whiteness with Driving Miss Daisy. nat čermák reviews.
        
        
                    
                                            
                        
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