This new exhibition of diverse and notable 19th-century prints explores an important corner of American art, when a Depression-era brainstorm made buying fine art accessible to the people. Pamela Forsythe reviews.

With A Brand New End: Survival and its Pictures, the Print Center takes a deep dive into a visual archive of how domestic abuse survivors and advocates support each other and work for change. Pamela J. Forsythe reviews.

Annea Lockwood and Liz Phillips bring the Schuylkill riverbanks to the Academy of Natural Sciences. Aja Beech previews.

The latest exhibition at the Library Company plumbs the real-life narratives of 19th-century insane asylums, but these institutions never disappeared—they were only reinvented. Alaina Johns reviews.

Warren Rohrer began to paint in his early 20s; his wife Jane didn’t publish her poetry until her 40s. But a new exhibition at Woodmere approaches the couple’s work as a lifetime of collaboration. Pamela Forsythe reviews.

The new multi-medium collection features the people, things, and places that make Philly a beloved city. Olivia J. B. Baxter previews.

Lastgaspism, a new exhibition at Drexel’s Pearlstein gallery, explores breath and life in a time full of new fears for both. Pamela J. Forsythe reviews.

The Sakura Concert Series of the Shofuso Cherry Blossom Festival of Philadelphia captures the essence of spring and cross-culture. Crystal Sparrow previews.

Prized Tiffany Studios works, from lamps and windows to humidors and fireplaces, transport Delaware Art Museum visitors to the American brilliance of the Gilded Age. Gail Obenreder reviews.

With Waiting for Tear Gas, the PMA displays more than 100 years of artists considering protest, with words and images that will resonate with many Philadelphians today. Pamela J. Forsythe reviews.