Philly live music lovers should hurry to a new special exhibition at Drexel University spotlighting the history of the Electric Factory, including iconic guitars, a Rock-Ola jukebox, and tons of memorabilia. Pamela J. Forsythe reviews.

In 2017, PAFA became the preserver and promoter of globetrotting 20th-century American sculptor John Rhoden’s artistic legacy. Now, PAFA mounts the artist’s first comprehensive retrospective. Pamela J. Forsythe reviews.

With radically sweet images of women and hardly a man in sight, painter Marie Laurencin constructed a world of female friendship, camaraderie, and low-key eroticism, as explored in a new exhibition at the Barnes. K.A. McFadden reviews.

Ann Lowe, a Black American designer, should have been as famous as the 20th-century French couturiers who are household names today. A new exhibition at Winterthur charts her remarkable sartorial journey. Gail Obenreder reviews.

The National Constitution Center’s newest permanent gallery, all about the First Amendment, brings core American freedoms to life as we continue to shape them today. Pamela J. Forsythe visits.

It's not just important that we continue to care about the Holocaust. It's imperative. That's why the Philadelphia Holocaust Remembrance Foundation presents the Hate Ends Now Cattle Car Exhibit in Philly. Jill Ivey visits.

No, it’s not the hit HBO series about the backstabbing offspring of a fictional media mogul; it’s the Rosenbach’s look at the real-life succession of our own US presidents—reminders we need today. Pamela J. Forsythe reviews.

Kicking off the academic year with two uplifting shows about how we communicate, learn, and teach, the Philadelphia Art Alliance at UArts welcomes SKZ Monochrome Classrooms and L’école. Emily B. Schilling reviews.

For centuries, science was not an acceptable pursuit for women. But as a new exhibition at the American Philosophical Society shows, these groundbreaking scientists didn’t get the memo. Pamela J. Forsythe reviews.

At UPenn’s Arthur Ross Gallery, four artists consider what shared memory signifies for marginalized peoples, and how they preserve it. Pamela J. Forsythe reviews.