This wandering, wide-ranging exhibition at the Delaware Contemporary is a rare extravaganza of diverse works all in one medium: glass. Gail Obenreder reviews.

TILT mounts its largest exhibition of the last two years with If We Never Get Better, a group show of queer and/or trans artists of color who focus on healthcare, collective grief, disability, and healing. Gary Day reviews.

A new Barnes exhibition detailing the latest scholarship and technology in the world of Modigliani has a big surprise: four previously unverified paintings will be on the walls. Emily Schilling looks closer.

Philadelphia native Mike Smaczylo wants to build a different future for education and the city's residents. Christina Anthony profiles.

A juried selection of photographs from under-represented artists at Woodmere Art Museum champions the creativity of older, more mercurial art forms. Pamela J. Forsythe reviews.

An important new exhibition of portraits by Diné photographer Will Wilson at the Delaware Art Museum is both strongly historic and strikingly contemporary. Gail Obenreder reviews.

Indigenous Faces of Wilmington at Delaware Art Museum focuses on representation and explores varied expressions of Indigenous identity. Dara McBride previews.

Jayson Musson launches His History of Art at the Fabric Workshop and Museum while the anonymous Philadelphia Wireman’s work appears at Fleisher/Ollman Gallery. Emily Brewton Schilling suggests visiting both.

A new Winterthur exhibition revives the historic collaboration that turned the White House into the museum it is today, thanks to the vision of Jacqueline Kennedy and Henry Francis du Pont. Gail Obenreder reviews.

Sculptor Stan Smokler, who has worked in Chester County for more than 20 years, comes to the Delaware Art Museum with Steel in Flux, whose found-object abstractions are almost impossible not to touch. Gail Obenreder reviews.