No, it’s not the hit HBO series about the backstabbing offspring of a fictional media mogul; it’s the Rosenbach’s look at the real-life succession of our own US presidents—reminders we need today. Pamela J. Forsythe reviews.

Kicking off the academic year with two uplifting shows about how we communicate, learn, and teach, the Philadelphia Art Alliance at UArts welcomes SKZ Monochrome Classrooms and L’école. Emily B. Schilling reviews.

For centuries, science was not an acceptable pursuit for women. But as a new exhibition at the American Philosophical Society shows, these groundbreaking scientists didn’t get the memo. Pamela J. Forsythe reviews.

At UPenn’s Arthur Ross Gallery, four artists consider what shared memory signifies for marginalized peoples, and how they preserve it. Pamela J. Forsythe reviews.

Interdisciplinary artist Adebunmi Gbadebo speaks on her new exhibit that cultivates materials and arts in the pursuit of remembering and preservation. Robert Margolis profiles.

Fabric Workshop and Museum combines visual and audio elements for its latest show, but this installation fails visitors who want to pay sustained attention to the work. Aaron Pond reviews.

Jake Foster rounds up eight LGBTQ+ art exhibitions on view this Pride Month from the Clay Studio, Mural Arts, William Way LGBT Center, and more.

Minerva Parker Nichols was the first US woman to have her own architectural practice. Then she almost disappeared from history. A new exhibition helps to restore her legacy. Pamela J. Forsythe reviews.

Flooding from 2021’s Hurricane Ida destroyed most of the archive from Spiral Q’s 27-year history of community art and advocacy, but enough remains for an urgent and engaging exhibition at New Jersey’s Grounds for Sculpture. Jill Ivey reviews.

The Print Center presents Rodrigo Valenzuela: Workforce, a surreal mixed-media exhibition about work, industry, power, and people. Emily B. Schilling reviews.