Lastgaspism, a new exhibition at Drexel’s Pearlstein gallery, explores breath and life in a time full of new fears for both. Pamela J. Forsythe reviews.

The Sakura Concert Series of the Shofuso Cherry Blossom Festival of Philadelphia captures the essence of spring and cross-culture. Crystal Sparrow previews.

Prized Tiffany Studios works, from lamps and windows to humidors and fireplaces, transport Delaware Art Museum visitors to the American brilliance of the Gilded Age. Gail Obenreder reviews.

With Waiting for Tear Gas, the PMA displays more than 100 years of artists considering protest, with words and images that will resonate with many Philadelphians today. Pamela J. Forsythe reviews.

This exhibition of spare yet complex, intimate, and nuanced works by South Asian artists explores disappearing traditions, language, loss, and a world of boundaries. Pamela J. Forsythe reviews.

POOL: A Social History of Segregation, an exhibit at the Fairmount Water Works, opens next week after having been delayed by flooding from Hurricane Ida. Anndee Hochman previews.

The Print Center closes its international solo exhibit, Personality from People’s Light honors an unsung leader in music, and Elizabeth Bergeland illustrates the male body in a different light. Kyle V. Hiller rounds up.

A special exhibition at Temple University’s Charles L. Blockson Afro-American Collection celebrates the 200th birthdays of Harriet Tubman and Philadelphia abolitionist William Still. Pamela J. Forsythe visits.

The Barnes Foundation's newest exhibit will feature historic and contemporary Southwest Native art and explore the healing power of the arts and living traditions. Melissa Strong previews.

After flooding forced the Brandywine River Museum of Art to close for several months, it reopens with a delicious retrospective marking Wayne Thiebaud’s 100th birthday. Gail Obenreder reviews.