Flooding from 2021’s Hurricane Ida destroyed most of the archive from Spiral Q’s 27-year history of community art and advocacy, but enough remains for an urgent and engaging exhibition at New Jersey’s Grounds for Sculpture. Jill Ivey reviews.

The Print Center presents Rodrigo Valenzuela: Workforce, a surreal mixed-media exhibition about work, industry, power, and people. Emily B. Schilling reviews.

A major joint exhibition, thanks to an unprecedented partnership between the African American Museum in Philadelphia and the Pennsylvania Academy of the Fine Arts, asks whether the sun is rising or setting on American democracy. Hanae Mason reviews.

Six international artists explore the mashrabiya, widely used throughout the Islamic world as cooling structures, or boundaries—between public and private life, men and women, women and visibility. Emily B. Schilling reviews.

ArtYard’s visionary founder Jill Kearney talks about her new exhibit that considers footwear as more than just a pair of shoes. Wendy Univer previews.

This spring, Delaware Art Museum boasts a pair of striking but very different exhibitions: Our Red Planet: Anna Bogatin Ott and Estampas de la Raza: Contemporary Prints from the Romo Collection. Gail Obenreder reviews.

A tight selection of abstract artists and works make an inviting but not necessarily cohesive show in Woodmere’s JUST IN: Form + Space, Near + Far. Jake Foster reviews.

Three artists with roots in Pakistan, the Philippines, and Iran, offer reality checks on the stories we’re told in a powerful mixed-media exhibition at Twelve Gates Arts in Old City. Emily B. Schilling reviews.

This new exhibition studies the way Andrew Wyeth saw his favorite buildings, honoring the artist’s abstract work, as well as the better-known representational. Gail Obenreder reviews.

A painting by Gustave Courbet, a fascinating 19th-century French artist, was lost in a Philly basement for decades. Now it gets its due at Arthur Ross Gallery. Emily B. Schilling reviews.