Two world premieres and a poignant reprise make a strong, balanced program at BalletX’s 2023 Winter Series. Eileen B. Fisher reviews.

Artistic director and dancer Angel Corella tries a less-is-more approach in this adaptation of the fairy tale. Camille Bacon-Smith previews.

Alvin Ailey visited the Academy of Music for four performances, including work by Twyla Tharp and Ailey’s own piece celebrating Winnie and Nelson Mandela, and the beloved Revelations. Camille Bacon-Smith reviews.

The three world premieres in Philadelphia Ballet’s Forward Motion reflect diverse visions of contemporary ballet onstage at the Kimmel's intimate Perelman Theater. Melissa Strong reviews.

Dance Theatre of Harlem returns to Penn Live Arts with the world premiere of William Forsythe’s Blake Works IV (The Barre Project) and the Philly premiere of Robert Garland’s Higher Ground, set to music by Stevie Wonder. Melissa Strong reviews.

Almanac Dance Circus Theatre’s I Hear You and I’d Like to Respond offers thrills and big thoughts. Eileen B. Fisher previews.

Camille Bacon-Smith sits with faculty member and children’s ballet stager Jaime Santoro on staging The Nutcracker and teaching children how to perform.

The award-winning take on Shakespeare’s Romeo & Juliet from Rennie Harris returns to Philly this weekend. Eileen B. Fisher previews.

BalletX returns to the Wilma with world premieres by Darrell Grand Moultrie and former BalletX dancer Caili Quan, along with the Philadelphia premiere of Become a Mountain by Justin Peck. Melissa Strong reviews.

SHARP Dance Company’s 2022 fall series featured both a revival and a highly anticipated premiere from artistic director Diane Sharp-Nachsin, plus intriguing gender subversions from guest choreographer Joe Cotler. Camille Bacon-Smith reviews.