Jeremy Gable's 'Watch Me Jump' world-premieres his own play in video-game format. Cara Blouin considers.

Eastern State Penitentiary rethought their museum exhibitions, took a risk, and saw a huge growth in attendance. How did they do it? Cara Blouin considers.

Digital media, BioArt, interactive art, and more are swiftly becoming the new creative currency, but in Philadelphia, they haven't started generating real currency. Amanda Wagner considers.

Philadelphia Scenic Works was born from the need for an affordable, safe way to construct theatrical sets. More important, it embraces the spirit of working together. Seth Rozin considers.

As the Painted Bride Art Center prepares to sell its iconic Old City home, emerging artists wonder where they will find shelter for their own work. Tieshka Smith considers.

Cara Blouin helped create the website Counterweight to help theaters diversify their artistic pool, but it turned out to be a lot more complicated than she anticipated. Blouin considers.

When Theatre Philadelphia announced the 2017 Barrymore Award nominations, Jennifer MacMillan asked her friends what was missing. She got a lot of answers — and ideas.

Cara Blouin has millennials in her basement — and she's a little bit jealous of their freedom and willingness to buck the system.

Philadelphia theater has a gender-parity problem, and Cameron Kelsall wants producing companies to take notice and fix it. He crunches the numbers and makes a few suggestions.

The Chicago Sun-Times' chief theater critic, Hedy Weiss, sets off another firestorm after reviewing a show at the Steppenwolf Theatre Company. Philly critic Cameron Kelsall considers.