Creative economy

111 results
Page 7
What once looked like an answer now only raised more questions. (Illustration for BSR by Hannah Kaplan.)

Counterweight finds artists of color, gets lost

A road paved with good intentions

Cara Blouin helped create the website Counterweight to help theaters diversify their artistic pool, but it turned out to be a lot more complicated than she anticipated. Blouin considers.
Cara Blouin Illustration by Hannah Kaplan

Cara Blouinand Illustration by Hannah Kaplan

Articles 4 minute read
The annual Philadelphia theater awards are starting to show their age. (Photo via Theatre Philadelphia.)

Can the Barrymore Awards adapt before they die out?

Keeping the Barrymore Awards relevant

When Theatre Philadelphia announced the 2017 Barrymore Award nominations, Jennifer MacMillan asked her friends what was missing. She got a lot of answers — and ideas.
Jennifer MacMillan

Jennifer MacMillan

Articles 5 minute read
An audience in Blouin's living room applauds a SoLow Festival performance. (Photo by Cara Blouin.)

Millennials in my basement

Enacting bravery, pushing paradigms

Cara Blouin has millennials in her basement — and she's a little bit jealous of their freedom and willingness to buck the system.
Cara Blouin

Cara Blouin

Articles 4 minute read
"Multi-hyphenate extraordinaire" Kittson O'Neill in 'Grounded' at InterAct Theatre Company, a one-woman show written by a man. (Photo by Kate Raines/Plate 3 Photography.)

Philadelphia's parity problem

Not separate, but still unequal

Philadelphia theater has a gender-parity problem, and Cameron Kelsall wants producing companies to take notice and fix it. He crunches the numbers and makes a few suggestions.
Cameron Kelsall

Cameron Kelsall

Articles 6 minute read
Hedy Weiss at a 2015 meeting of the American Theatre Critics Association, shortly after her previous Steppenwolf controversy. (Photo by Charles Giuliano via berkshirefinearts.com)

Chicago's critical condition: On the Sun-Times' Hedy Weiss

Critiquing a critic

The Chicago Sun-Times' chief theater critic, Hedy Weiss, sets off another firestorm after reviewing a show at the Steppenwolf Theatre Company. Philly critic Cameron Kelsall considers.
Cameron Kelsall

Cameron Kelsall

Articles 5 minute read
In the United States, the arts and commerce exist side by side. (Photo by Paul Joseph via Creative Commons/Flickr.)

REP Radio podcast and BSR present 'Arts Funding: Who Should Pay?'

Take BSR's arts funding panel on the go!

Did you miss BSR's fascinating panel on arts funding with some of the city's arts leaders? Listen and learn about how arts groups make Philadelphia's funding landscape work for them.
Darnelle Radford

Darnelle Radford

Articles 1 minute read
Paige Price. (Photo courtesy of Philadelphia Theatre Company.)

Will Paige Price make or break Philadelphia Theatre Company?

Coming down the mountain

When Paige Price took the helm of a floundering Philadelphia Theatre Company, she steered toward safer financial waters. But will that keep the company afloat? A.D. Amorosi considers.
A.D. Amorosi

A.D. Amorosi

Articles 5 minute read
The arts and artists: Stuck in the middle. (Illustration for BSR by Hannah Kaplan)

Art, politics, and the National Endowment for the Arts

The Crossing at the crossroads

Kathryn Taylor, board president of The Crossing, a chamber choir, says worries about losing NEA funding keep her -- and other arts board members -- awake at night.
Kathryn Taylor Illustration by Hannah Kaplan

Kathryn Taylorand Illustration by Hannah Kaplan

Articles 4 minute read
Aerial view of Drexel University and West Philadelphia circa 1985. (Photo courtesy of Drexel University Archives)

Drexel University's Westphal College presents 125 Years: Drexel & the City

More than a retrospective

Drexel University looks back at 125 years of its changing landscape with an immersive exhibition that blends past, present, and future. Pamela Forsythe reviews.

Pamela J. Forsythe

Articles 4 minute read
Azuka Theatre's pay-what-you-decide production of <em>Moth</em> was a success. (Photo by AustinArt.org)

Azuka Theatre's season of pay-what-you-decide ticketing

What price art?

Azuka Theatre's 2016-17 pay-what-you-decide season will depend entirely on the kindness of strangers (and friends). Alix Rosenfeld examines the pros and cons of this approach.
Alix Rosenfeld

Alix Rosenfeld

Articles 5 minute read