Did you miss BSR's fascinating panel on arts funding with some of the city's arts leaders? Listen and learn about how arts groups make Philadelphia's funding landscape work for them.

When Paige Price took the helm of a floundering Philadelphia Theatre Company, she steered toward safer financial waters. But will that keep the company afloat? A.D. Amorosi considers.

Kathryn Taylor, board president of The Crossing, a chamber choir, says worries about losing NEA funding keep her -- and other arts board members -- awake at night.

Drexel University looks back at 125 years of its changing landscape with an immersive exhibition that blends past, present, and future. Pamela Forsythe reviews.

Azuka Theatre's 2016-17 pay-what-you-decide season will depend entirely on the kindness of strangers (and friends). Alix Rosenfeld examines the pros and cons of this approach.

Seth Reichgott speaks with a few of Philadelphia's theater artist/parents about the ways in which having children affected their careers.

Drexel University fashion design program is now ranked third in the nation. Former designer Stacia Friedman muses about what might have been.

Is the rise of the creative class also one of the causes of the rise in income inequality? Tom Purdom makes a compelling case.

What draws artists to Philadelphia? The relatively low cost of living is one obvious answer. But so is the prevalence of co-ops— galleries where artists themselves have a stake in the ownership of the business.

The new Philadelphia Design Center offers a coworking space that gives theatrical designers both space and access to high-tech design aids.