Paul Jablow BS Rauthors 073118

Paul Jablow

Contributor

BSR Contributor Since July 31, 2018

Paul Jablow spent more than three decades in newsrooms in North Carolina, Baltimore and Philadelphia before retiring from the Inquirer in 2003. He has since freelanced, joined a local improv group, and added to an enormous collection of recorded jazz. A native of New York, he lives in Bryn Mawr.

My professional career probably started in my senior year at Harvard, in the office of my creative writing course instructor, Mr. McCreary. “Jablow,” he said in a soft Boston accent that I remembered for decades after forgetting his first name, “you write damned well, but you’ll never be a fiction writer. You write like a journalist.”

Mr. McCreary wore tweed sports coats and had a yellowing mustache and looked enough like William Faulkner that his advice seemed instantly credible. I followed it for decades.

After Harvard came Columbia University and a master’s degree in journalism and then 30-plus years in newsrooms in North Carolina, Baltimore, and Philadelphia. It was a wonderful business, filled with amazing characters and amazing stories. Our mantra was, “You couldn’t make this stuff up.”

How else could a kid from New York cover Richard Nixon and Martin Luther King’s funeral, come home with his suit covered with dust from a steel plant or attend a Klan rally wearing a suit so the rednecks would mistake him for a fed? I left the newspaper business and the Inquirer in 2003, at the dawn of the Great Downsizing, to teach, freelance, and work on a stillborn novel, ignoring Mr. McCreary’s advice at what turned out to be my peril.

Several years after I did a freelance piece that quoted a local hardware store owner, he asked me, “Are you still writing?”

“Charlie,” I replied. “Why don’t you ask me if I’m still breathing,”

Website: pauljablow.com Twitter: @paulJ1940

By this Author

5 results
Page 1
Evoking photographer Robert Frank: a street scene from Philly high schooler Leila Ibrahim. (Image courtesy of PPAC.)

Philadelphia Photo Arts Center presents ‘epiphany’

Through teenage eyes

The Philadelphia Photo Arts Center presents ‘epiphany,’ its ninth annual exhibit of photos from a free program fostering the talents of Philadelphia School District high schoolers. Paul Jablow reviews.
Paul Jablow

Paul Jablow

Articles 3 minute read
'Bars,' by Hank Willis Thomas; 2017. Quilt made out of decommissioned prison uniforms. © Hank Willis Thomas. Courtesy of the artist and Jack Shainman Gallery, New York.

Haverford College presents ‘The Legacy of Lynching: Confronting Racial Terror in America’

Terrorism, then and now

An exhibit at Haverford College treats lynching as more than just a ghastly but isolated episode in America’s past. Paul Jablow reviews.
Paul Jablow

Paul Jablow

Articles 3 minute read
Fink shows the thrill of victory and the agony of defeat at Philly's Blue Horizon in 1991. (Photo is a promised gift of the Tony Podesta Collection, Washington, DC, © Larry Fink.)

Philadelphia Museum of Art presents Larry Fink, the Boxing Photographs

A knockout exhibition

Larry Fink’s exhibit of 80 photos at the Philadelphia Museum of Art depicts the world of boxing as a complex, layered culture rather than just a violent sport. Paul Jablow reviews.
Paul Jablow

Paul Jablow

Articles 4 minute read
The great Charles Mingus plays his French bass with a bow on July 4, 1976, in New York City. (Photo via Tom Marcello, via Creative Commons/Flickr.)

The joy of jazz sessions

Remembering the three-set night

Long ago, jazz aficionados could pay one cover charge and settle in for a long evening of musical experimentation. Paul Jablow considers.
Paul Jablow

Paul Jablow

Articles 4 minute read