A new exhibition of mid-20th-century woman printmakers at Arcadia University traces a burgeoning feminist movement at New York print studio Atelier 17. Pamela J. Forsythe reviews.

TILT mounts its largest exhibition of the last two years with If We Never Get Better, a group show of queer and/or trans artists of color who focus on healthcare, collective grief, disability, and healing. Gary Day reviews.

A new Barnes exhibition detailing the latest scholarship and technology in the world of Modigliani has a big surprise: four previously unverified paintings will be on the walls. Emily Schilling looks closer.

Philadelphia native Mike Smaczylo wants to build a different future for education and the city's residents. Christina Anthony profiles.

The Print Center teams up with Dr. Ksenia Nouril and Irina Glik for an exhibit photographing the people of Ukraine during their everyday lives, before and during the war. Gary L. Day previews.

Imagination Playground, an outdoor interdisciplinary Fringe event at Strawberry Mansion’s Hatfield House, did not let rain dampen its vision. Camille Bacon-Smith reviews.

Shwarga Bhattacharjee’s new exhibition at DVAA explores the immigrant experience through paintings, illustrations, and sculptures. Christina Anthony profiles.

A juried selection of photographs from under-represented artists at Woodmere Art Museum champions the creativity of older, more mercurial art forms. Pamela J. Forsythe reviews.

An important new exhibition of portraits by Diné photographer Will Wilson at the Delaware Art Museum is both strongly historic and strikingly contemporary. Gail Obenreder reviews.

Jayson Musson launches His History of Art at the Fabric Workshop and Museum while the anonymous Philadelphia Wireman’s work appears at Fleisher/Ollman Gallery. Emily Brewton Schilling suggests visiting both.