Idiopathic Ridiculopathy Consortium dives into the weird and wonderful world of Tennessee Williams’s The Two-Character Play as part of the Fringe Festival. Cameron Kelsall reviews.

Jim Julien’s wacky and well-executed story of cephalopod friends who find themselves in a Fishtown restaurant uses puppetry, lighting, and voice to great effect. Helen Walsh reviews.

Die-Cast’s Baal & Dix is everything a Fringe show is supposed to be: immersive, imaginative, a little inscrutable … and short. Jill Ivey reviews.

Kyle V. Hiller makes his picks for this year's Fringe Festival.

What happens when the algorithm determines your theater experience? Dara McBride previews Annie Dorsen's retrospective as it comes to Philadelphia for the first time.

BSR is excited to team with the Greater Philadelphia Cultural Alliance's RestART Initiative on this special podcast episode about Tiny Dynamite.

Recording a Fringe performance means you can air it again in future festivals. But as “Bon Appétit!” By Julia Child and Lee Hoiby (During a Pandemic!) shows, that’s not always a good thing. Jill Ivey reviews.

Chances are if we missed being in the theater, we also missed meeting up for a bite. Many artists of this year’s Fringe are bringing us together over food. Alaina Johns rounds up.

The Grown-Ups, a thrilling new play developed in a Brooklyn backyard during the pandemic, gets its Pennsylvania premiere at Pottstown’s Theatre with a View. Josh Herren reviews.

Theatre in the X brings its immersive, innovative take to the showbiz musical Dreamgirls at Malcolm X Park, celebrating Black artists and audiences. Josh Herren reviews.