Reviews
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Page 34

Penn Live Arts and The Acting Company present Lisa Peterson's The Odyssey
Modern exiles on the wine-dark sea
A powerful new retelling of The Odyssey, based on UPenn professor Emily Wilson’s translation, stops in Philly on its national tour, with New Jersey dates coming in November. C.M. Crockford reviews.

Reviews
4 minute read

The Rosenbach presents Succession: Why Presidential History Matters Now
A precedent for presidents
No, it’s not the hit HBO series about the backstabbing offspring of a fictional media mogul; it’s the Rosenbach’s look at the real-life succession of our own US presidents—reminders we need today. Pamela J. Forsythe reviews.
Reviews
5 minute read

Arden Theatre Company presents Stephen Sondheim and John Weidman’s Assassins
A history of violence
Arden Theatre Company considers Stephen Sondheim’s Assassins through a chilling contemporary lens. Cameron Kelsall reviews.
Reviews
3 minute read

Philly Fringe 2023: Ella-Gabriel Mason’s Sex Werque and Kaytlin Bailey’s Whore’s Eye View
Learning from the pros
Cannonball Festival presented two solo shows about sex workers: Ella-Gabriel Mason’s Sex Werque: Notes from the Field and Kaytlin Bailey’s Whore’s Eye View. Melissa Strong reviews.

Reviews
4 minute read

Delaware Theatre Company presents Michael Frayn’s Noises Off
A favorite piece of chaos
Delaware Theatre Company opens the season with a bang of eight doors in the ever-popular, ever-challenging backstage farce Noises Off. Gail Obenreder reviews.

Reviews
4 minute read

Resident Ensemble Players presents Eileen Atkins’s Vita & Virginia
For the love of letters
Delaware’s Resident Ensemble Players opens its 15th season with Vita & Virginia, a chamber production exploring a historic intellectual and romantic affair in an era of letters. Gail Obenreder reviews.

Reviews
4 minute read

Philly Fringe 2023: Toni Cannon’s ReFlection and Mae West’s $7 Girl
Circus arts looking inward and outward
Cannonball Festival presents two solo shows at the intersection of trans identity and circus arts, Toni Cannon’s ReFlection and Mae West’s $7 Girl. Melissa Strong reviews.

Reviews
4 minute read
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Festival O23: Opera Philadelphia presents Rene Orth and Hannah Moscovitch’s 10 Days in a Madhouse
“I’m mad they say”
Festival O23’s world-premiere production of composer Rene Orth and librettist Hannah Moscovitch’s 10 Days in a Madhouse is fresh, urgent, and relevant. Alaina Johns reviews.

Reviews
5 minute read

Festival O23: Opera Philadelphia presents Karim Sulayman’s Unholy Wars
Reframing the “Middle East”
Opera Philadelphia’s Festival O23 features the Philly premiere of Grammy-winning Lebanese American tenor Karim Sulayman’s Unholy Wars, with artistic triumph in every detail. Gail Obenreder reviews.

Reviews
4 minute read

Festival O23: Opera Philadelphia presents Verdi’s Simon Boccanegra
Keeping Philly on the map of grand opera
For its Festival O23, Opera Philadelphia presents a standout production of Verdi’s tragic opera, Simon Boccanegra. Linda Holt reviews.

Reviews
3 minute read