Curtis Opera Theatre inventively pairs two works from the 20th century that consider the struggles of women in society: Poulenc’s Les Mamelles de Tirésias and Kurt Weill and Bertolt Brecht’s The Seven Deadly Sins. Cameron Kelsall reviews.

Vivaldi’s Juditha triumphans, a 1716 oratorio about Judith and Holofernes that premiered with a famous all-women Venetian ensemble, is little known today. Philly’s baroque orchestra revives it with stunning effect. Gail Obenreder reviews.

A well-acted, well-crafted new production of the epic Lehman Trilogy, now getting its regional premiere at the Arden, can’t overcome this play’s moral bankruptcy. C.M. Crockford reviews.

The Philadelphia Orchestra teamed with conductor Fabio Luisi, the Mendelssohn
Chorus of Philadelphia, Philadelphia Boys Choir & Chorale, and Philadelphia Girls Choir for a much-anticipated Carmina Burana. Linda Holt reviews.

McCarter Theatre Center’s revival of Dreamgirls features an all-star cast, lots of glitz, and dynamic, dazzling hair and costumes. But can it overcome the show’s core flaws? Josh Herren reviews.

Inis Nua’s Once Upon a Bridge dramatizes a random act of violence with empathy and suspense. Cameron Kelsall reviews.

Jeffrey Barg, author of the Inquirer’s popular Angry Grammarian column, debuts a likable musical comedy by the same name in South Philly about two grammar nerds languishing for language and each other. Mike Fisher reviews.

The layered, kaleidoscopic works of Barbara Earl Thomas, who ingeniously harnesses paper, light, and glass, are now on view at Arthur Ross Gallery. Pamela J. Forsythe reviews.

Twentieth-century designer and photographer Alexey Brodovitch revolutionized more than one field of visual arts, but he’s best known for his stint as art director at Harper’s Bazaar. His first major US exhibition, now at the Barnes, covers his entire career. Pamela J. Forsythe reviews.

Girl from the North Country, a Bob Dylan jukebox musical set during the Depression by acclaimed Irish playwright Conor McPherson, defies expectations. It stops in Philly on its North American tour. Josh Herren reviews.