Inis Nua brings a popular Scottish playwright to the Philly stage with Meet Me at Dawn, but the performance is more moving than satisfying. C. M. Crockford reviews.

A new exhibition revealing 100 years and three generations of the Forten family in Philadelphia is a must-see. Crystal Sparrow visits.

Philadelphia Theatre Company’s Empathitrax tests the limits of love and pharmaceutical intervention. Cameron Kelsall reviews.

Good Grief, in its regional premiere at Hedgerow Theatre Company, offers a sometimes touching, mostly frustrating, portrayal of grief. Kiran Pandey reviews.

It should be a wonderful night for Rashad and Genesis, but the couple’s complicated pasts come to the surface as they face their future in Theatre Exile’s production of The Light. Corey Qureshi reviews.

South Camden Theatre Company puts the “amp” in “camp” and the “art” in heart in its production of Matthew López’s The Legend of Georgia McBride. Jill Ivey reviews.

Drexel professor and fashion journal editor Joseph H. Hancock II’s Fashion Brand Stories was originally written for students of the industry, but with its third edition, the book proves of much wider interest. Pamela J. Forsythe reviews.

The Lifespan of a Fact, now onstage at Lantern Theater, considers the chasm between journalistic integrity and artistic license. Cameron Kelsall reviews.

Terrell Halsey’s Ascend: Beyond the Veil is a breath of fresh air for “street portraits,” featuring a collection of photography of Center City Philadelphia from 2015-2020. Hanae Mason reviews.

The three world premieres in Philadelphia Ballet’s Forward Motion reflect diverse visions of contemporary ballet onstage at the Kimmel's intimate Perelman Theater. Melissa Strong reviews.