Music

1939 results
Page 86
Heavier, yes — but richer, too.(Photo: Marty Sohl/ Metropolitan Opera.)

Netrebko in Verdi’s ‘Macbeth’

Seeing is believing

Anna Netrebko triumphs as Lady Macbeth, but you’d never know it by listening only.
Steve Cohen

Steve Cohen

Articles 3 minute read
Aaron Copland in his studio.

Copland's 'Shall We Gather at the River'

Moved to tears

There’s music I like more than Aaron Copland’s “Shall We Gather at the River?” that does not make me cry, so what is the power of this piece?
Kile Smith

Kile Smith

Articles 5 minute read
Charm and discipline: Dawn Upshaw (photo by Brooke English)

Dawn Upshaw and Gilbert Kalish perform Charles Ives

Ives thrives with Dawn Upshaw and Gilbert Kalish

Charles Ives broke open the warp and woof of American music in a way that no other composer has before or since. Dawn Upshaw and Gilbert Kalish provide the celebration he deserves.
Victor L. Schermer

Victor L. Schermer

Articles 6 minute read
Susan Watts with her mother, Elaine Hoffman (via hoffmanwattsklezmer.com)

Susan Watts in Chestnut Hill

A fourth-generation klezmer tackles jazz

Klezmer, which is derived from the Hebrew word for “instrument of song,” refers not only to the Eastern European Jewish music idiom itself but also to the musicians who specialize in its performance. Susan Watts is certainly one of its foremost practitioners, now boldly expanding into klezmer’s distant cousin jazz, which shares many of klezmer’s defining attributes.
Robert J. Robbins

Robert J. Robbins

Articles 3 minute read
Pairing cello and harpsichord (photo via earlymusichicago.org)

Cellist Hai-Ye Ni conducts and plays with the Chamber Orchestra

An event for the record books

The principal cellist of the Philadelphia Orchestra plays five concertos in one afternoon and takes on a bit of conducting while she does it.
Tom Purdom

Tom Purdom

Articles 4 minute read
Robert and Clara Schumann

Tenor Mark Padmore and pianist Jonathan Biss

Songs of ecstasy and painful longing

Schumann's music explores the pain and ecstasy of love. Adding compositions by two later composers, Michael Tippett and Gabriel Fauré, served to illustrate the sea change in the pleasure/pain principle between Romanticism and Modernism.
Victor L. Schermer

Victor L. Schermer

Articles 5 minute read
Gilbert: An outsider breaks fresh ground.

Gilbert conducts the Philadelphia Orchestra

Rare and well done

I’ve said it before, but the best orchestra programs are the ones that make you see how musical tradition evolves and reflects upon itself. This was one of them.
Robert Zaller

Robert Zaller

Articles 6 minute read
How about in the lobby? (Photo of the Kimmel Center by Wasted Time R, via Wikimedia)

When is it all right to interrupt a concert?

Protest is a right. But so is a legitimate expectation of enjoying a cultural event in peace.
Robert Zaller

Robert Zaller

Articles 4 minute read
Mimi and the guys tackle Piazzolla's "Libertango." (Photo by Pete Checchia, courtesy of Dolce Suono)

Dolce Suono's 10th-anniversary celebration

Celebrating a phenomenon

Dolce Suono celebrates a nine-year history that illustrates a Machiavellian adage.
Tom Purdom

Tom Purdom

Articles 4 minute read
Thibaudet: A revival, 66 years later.

Philadelphia Orchestra’s Russian program

First impressions can be misleading

The Philadelphia Orchestra was in top form under Yannick Nézet-Séguin in an all-Russian program of works that were mangled and misjudged at their inception.
Robert Zaller

Robert Zaller

Articles 6 minute read