Music

1939 results
Page 85
The viola is no joke. (Photo by aethir via Creative Commons/Wikimedia)

Astral Artists and the Chamber Orchestra spotlight the viola

All kidding aside

The accidents of the scheduling process produced two consecutive concerts that spotlighted the viola and proved, once again, that viola jokes are a baseless and vile calumny.
Tom Purdom

Tom Purdom

Articles 4 minute read
Is it time to bring the orchestra experience into the 21st century? (Performance at the Bolshoi Theatre, 1856)

The Philadelphia Orchestra performs Janáček and Mahler

To app or not to app

The Philadelphia Orchestra’s new real-time app may or may not be a good idea, but the real issue is the product itself, not the marketing efforts that surround it.
Tom Purdom

Tom Purdom

Articles 3 minute read
Gustav Mahler, photographed in 1907 at the end of his period as director of the Vienna Hofoper.

Nézet-Séguin conducts Mahler (third review)

Could we all use a resurrection? Mahler thought so

Mahler weaves between grief and excitement throughout the symphony. There is no conductor better than Nézet-Séguin in working with these changes, and he is excellent with liturgical and choral music as well. So the last two movements proved to be glorious in his hands.
Victor L. Schermer

Victor L. Schermer

Articles 5 minute read
Neither Catholic nor Jew

Nézet-Séguin conducts Mahler (2nd review)

Mahler’s tortured world

Mahler’s Resurrection Symphony had nothing to do with Christ and everything to do with the tormented composer’s own yearning for a better life after this one.
Steve Cohen

Steve Cohen

Articles 3 minute read
Not easily distracted, and yet...

Yefim Bronfman at the Perelman

Adventures of the sonata

The three sonatas programmed by Yefim Bronfman in his Perelman Theater recital told a tale of an artist moving from classical assurance to anxious assertion to violent despair.
Robert Zaller

Robert Zaller

Articles 5 minute read

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Marching to his own drummer. (photo by nickelbabe, via Creative Commons/pixabay)

Calvin Hampton: An appreciation

An American genius

Calvin Hampton dared to take musical chances. While the results are uneven, his better compositions deserve a place in the repertoire.

Michael Lawrence

Articles 3 minute read
Protesters at the Met: What makes this production different? (Photo: Marla Diamond/WCBS 880)

The 'Klinghoffer' kerfuffle

How to respond to Klinghoffer

Censoring art has been an irresistible temptation since Plato’s time. It was a bad idea in ancient Greece, and it’s a bad idea today, as the kerfuffle over John Adams’s Death of Klinghoffer illustrates.
Robert Zaller

Robert Zaller

Articles 5 minute read
Vocalist Annie Haslam of symphonic progressive rock band Renaissance. (Photo by Esa ahola, via Creative Commons/Wikimedia)

Renaissance and Al Stewart at the Keswick

The renaissance of Renaissance

Both Renaissance and Al Stewart are certainly still best known for their work of four decades past, yet in their performance at the Keswick, they amply demonstrated that while time can leave its inevitable mark on an artist, well-crafted and expertly-performed work always remains unscathed.
Mark Wolverton

Mark Wolverton

Articles 4 minute read
Mahler was once an almost forgotten composer, but now...

Nézet-Séguin Conducts Mahler (1st review)

From Walter to Bernstein to Yannick

Mahler’s Resurrection Symphony, once a rarity, now faces the danger of becoming too familiar. Yannick Nézet-Séguin toned it down a notch, to good effect.
Robert Zaller

Robert Zaller

Articles 6 minute read
Bach: The hardest working man in Baroque.

Tempesta di Mare plays Praetorious and Bach

The songs of the cosmic bourgeois

Tempesta di Mare presents a Baroque concert that makes a good companion to the Charles Ives concert the Philadelphia Chamber Music Society presented earlier in the same week.
Tom Purdom

Tom Purdom

Articles 4 minute read