After touring the world to wild acclaim, Nicolás Poggi and Luciano Rosso finally bring ‘Un Poyo Rojo’ to Philly for the Fringe. Merilyn Jackson reviews.

Elba Hevia y Vaca both embraces and transcends the art of flamenco with her new solo show, mining her roots as an artist and a woman. Melissa Strong reviews.

On The Rocks, a hip young Philly company with a bold, queer, out-of-the-box vision, stakes their claim to the future of theater in this year’s Fringe. Brad Rothbart reviews.

Part hagiography and part Wikipedia entry, McCarter’s ‘Gloria: A Life’ skims the surface of Steinem. Cameron Kelsall reviews.

Victorian noir meets comic mayhem in DTC’s ‘Hound of the Baskervilles.’ Gail Obenreder reviews.

The Wilma Theater’s season premiere, ‘There,’ adapts the long-form poem of similar name by Lebanese-American poet, visual artist, and essayist Etal Adnan. Alix Rosenfeld reviews.

The 2019 Fringe Festival presents choreographers Evalina Carbonell and Melissa Rector’s ‘Honey,’ a dance in seven movements inspired by Mary Oliver’s poem 'The Honey Tree.' Camille Bacon-Smith reviews.

The Fringe’s ‘Khan!!! The Musical!!!,’ ‘The Break Fast Club,’ and ‘Gay Mis’ all have something in common: they’re parodies of beloved cultural touchstones. Melissa Strong reviews.

The curated Fringe production 'Cartography' bites off more than it needs. Kyle V. Hiller reviews.

Take It Away Dance meditates on keeping time and what makes us human through the mediums of tap dance and jazz music. Kat J. Sullivan reviews.