InterAct’s ‘Eureka Day’ is a timely story about Americans’ debate over vaccinations and what happens when liberals’ progressiveness is put to the test. Christina Anthony reviews.

A dazzling duo of actors tackle Irish tragicomedy ‘Stones in His Pockets’ at South Camden Theatre Company. Suzanne Cloud reviews.

‘Tiny Beautiful Things,’ at the Arden Theatre Company, explores the myriad reasons that people seek advice. Cameron Kelsall reviews.

‘One November Yankee’ gets a bumpy landing at Delaware Theatre Company. Gail Obenreder reviews.

The good, the bad, and the ugly—of everything to come: it’s all on display at the PMA, in the wide-ranging and innovative ‘Designs for Different Futures.’ Pamela Forsythe reviews.

Three of the most notable documentaries at the Philadelphia Film Festival covered the theft of a priceless violin, American negotiators' memories of the failed Mideast peace process, and a Philly restaurateur who added cannabis to his young son’s cancer treatment. Stephen Silver reviews.

Baseball, absentee fathers, and WWII: ‘Last Days of Summer,’ which opens the season at George Street Playhouse, piles on the clichés. Cameron Kelsall reviews.

Warm, seductive tonal colors and crisp, clean articulation characterized a solo concert by young Finnish pianist Juho Pohjonen, who performed works by Rameau and Scriabin at the Pennsylvania Academy of the Fine Arts. Linda Holt reviews.

Pianist Shai Wosner joined ECCO for a Philadelphia Chamber Music Society program that was as colorful to look at as it was to hear. Linda Holt reviews.

The Kimmel Center presents a stunningly relevant production of the Tony Award-winning musical ‘Come From Away.’ Alix Rosenfeld reviews.