A new exhibition from the National Museum of American Jewish History and LA’s Skirball Cultural Center charts the life, career, and rise of our own RBG. Pamela Forsythe reviews.

The Courtyard Dancers Facing East festival presents ‘Riyaaz,’ four dance companies that combine contemporary dance and the classic traditions of India to promote diversity and cultural awareness. Camille Bacon-Smith reviews.

Power Street Theatre remounts its production of Erlina Ortiz’s 'MinorityLand' in a partnership with Theatre Horizon. Alix Rosenfeld reviews.

The Pennsylvania Ballet’s ‘Don Quixote’ is a comic delight. Camille Bacon-Smith reviews.

Inis Nua’s ‘The Night Alive’ is a disappointing first foray into the canon of Conor McPherson, Ireland’s most notable living playwright. Cameron Kelsall reviews.

Regional artists Mitch Lyons and Angela Fraleigh make for two not-of-a kind exhibitions at Delaware Art Museum. Gail Obenreder reviews.

1812’s The Roommate is a revealing comedy about two women in their mid-50s who move in together, with unexpected consequences for both. Christina Anthony reviews.

‘The (Other) F Word,’ a new collection from editor Angie Manfredi, finds the joy in fatness with contributions from writers of all identities who claim their right to their own bodies. Michelle Nugent reviews.

In a rare mixture of history, art, and art history, the Museum of the American Revolution revives Irish artist and soldier Richard St. George, revealing the American Revolution anew. Gail Obenreder reviews.

Instead of seeing reconstructions of his dances, the expectant audience at this tribute saw a confusion of works that bore no relation to Helmutt Gottschild’s oeuvre, except for one. Merilyn Jackson reviews.