Theater

2734 results
Page 233
Esposito, Valicente: Too mature, or too immature? (Photo: Michael Daniel.)

"Romeo and Juliet' at Annenberg

Romeo at the grass roots

The co-producers of this touring Romeo and Juliet have targeted communities across America and, in particular, young audiences. But something got lost in the transition.
Steve Cohen

Steve Cohen

Articles 3 minute read
Perrier: A messy breakup. (Photo: Jorge Cousineau.)

McPherson's "Shining City' by Theatre Exile (3rd review)

Shining city, damaged souls

Conor McPherson's Shining City might more fittingly be titled Island of Lost Souls. Excellent performances, particularly by Scott Greer, can't quite lift the play out of its existential funk, nor can a surprise ending that left the audience gasping.
Robert Zaller

Robert Zaller

Articles 4 minute read
Madden, Hultgren: A song from Justin Timbertlake.

Sheila Callaghan's "Crumble,' by Flashpoint Theatre

When a woman needs a man

Sheila Callaghan's politically incorrect Crumble boldly asks, in effect, “What would women do without men?” The answer is provided in her title.
Jim Rutter

Jim Rutter

Articles 2 minute read
Greer: Sympathy for the unsympathetic. (Photo: Jorge Cousineau.)

McPherson's "Shining City' by Theatre Exile (2nd review)

Heaven's my destination (not)

Conor McPherson's Shining City raises uncomfortable questions about human relationships. I would have appreciated some attempt at an answer.
Jim Rutter

Jim Rutter

Articles 3 minute read
McCann, Lynch: Shipwrecked by the global economy.

Enda Walsh's "Bedbound,' by Inis Nua Theatre

Death of an Irish salesman

Ireland is no longer poverty-stricken, but you wouldn't know it from the current crop of pessimistic Irish playwrights. Witness Enda Walsh's allegorical Bedbound as the latest example.
Jim Rutter

Jim Rutter

Articles 3 minute read
Renninger, Felder: Troubling.

Neil LaBute's "Fat Pig' by Theatre Horizon

Size matters

Neil LaBute's Fat Pig— a commentary about prejudice against those who are different, especially the overweight— is a daring choice for a small suburban company. Its callous characters are difficult to watch but also difficult to turn away from.
Steve Cohen

Steve Cohen

Articles 2 minute read

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McCarty (as Bush), Schmitz: Satire, or dead-on imitation? (Photo: Seth Rozin.)

Lee Blessing's "When We Go Upon the Sea'

Europe's ghosts, and ours: George W. Bush on trial

Lee Blessing's new play, When We Go Upon the Sea, imagines George W. Bush in a place liberals would love to see him: awaiting trial as a war criminal in The Hague. Blessing has plenty of fun with “George,” as he calls him, but he points a darker finger at the rest of us, Americans and Europeans alike.
Robert Zaller

Robert Zaller

Articles 7 minute read
Who cares about the story?

"The 39 Steps' in Wilmington

Hitchcock goes slapstick

Patrick Barlow's The 39 Steps is an entertaining spoof of the Hitchcock genre, using a series of clever slapstick stunts in place of the master's subtle wit.
Steve Cohen

Steve Cohen

Articles 1 minute read
Ditnes, Tomasetti: Overdose of protection. (Photo: Aaron Oster.)

Luna Theater's "Sick' at Walnut Studio 5

Clean up your room (but don't overdo it)

Zayd Dohrn's disturbingly intense and provocative play about parents who isolated their children from germs serves as an allegory about the benefit of exposure to alien ideas.
Jim Rutter

Jim Rutter

Articles 3 minute read
Bardeen, Schirner, Riopelle: Making love to wicker chairs. (Photo: Brett Thomas.)

"Travels With My Aunt' at Walnut's Studio 3

Graham Greene vindicated

Giles Havergal's stage adaptation is faithful to Graham Greene's mischievous comic novel about the travels of an amoral adventuress and her straitlaced nephew. But the real marvel however, is the cast— a perfectly synchronized quartet, each playing about 22 madcap roles with pitch-perfect precision.

Jane Biberman

Articles 3 minute read