Theater

2734 results
Page 209
Philly Fan

Graham's "Philly Fan' at People's Light

They booed Santa Claus. Or did they?

Bruce Graham's ranting Philly Fan, updated to reflect his city's latest sports tragedies, is sort of like a sports event where the home team always wins.

Bill Murphy

Articles 2 minute read
Rubenfeld as Abram: It wasn’t just the Nazis. (Photo: Alexander Iziliaev.)

'Our Class' at the Wilma (1st review)

Where were you in the war, classmate?

In the devastating Our Class, the Polish Catholic playwright Tadeusz Slobodzianek plumbs a monstrous (and true) subject: The lives of ten members of a school class in a Polish town whose Jews were incinerated en masse by their Catholic neighbors.
Steve Cohen

Steve Cohen

Articles 5 minute read

John Logan's "Red' at Suzanne Roberts (2nd review)

The agony and the agony

John Logan's Red dramatizes the ageless tension between art and commerce. Yet not every artist was as angry and even paranoiac as Mark Rothko.
Steve Cohen

Steve Cohen

Articles 3 minute read
Howard: At 13, a natural interest in the body.

EgoPo’ “Diary of Anne Frank”

Young girl? No, young woman

This adaptation of The Diary of Anne Frank is different from— and better than— the 1955 version you grew up with. Among other things, it's less squeamish about Anne's adolescent awkwardness and her family's Jewishness.
Steve Cohen

Steve Cohen

Articles 5 minute read
Bassett (left), Jackson: Will the real King please stand up? (Photo: Sara Krulwich, New York Times.)

The human Dr. King: Katori Hall's "The Mountaintop'

Martin Luther King: Myth vs. man

This startling, unconventional and inspiring play by a young African-American playwright takes us to the mountaintop (Martin Luther King's metaphor) of American dreams and expectations by way of an unexpected, uplifting route.

Carol Rocamora

Articles 5 minute read
Rowe as Rothko (right) with Haley Joel Osment as Ken: Missed opportunities. (Photo: Mark Garvin.)

John Logan's "Red' at Suzanne Roberts (1st review)

Rothko's complaint, or: Where are the grown-ups?

What's a brilliant Abstract Expressionist like Mark Rothko to do in an art world overrun by Philistines and pop culture? John Logan's Red, for all its dramatic shortcomings, provides rich and ample food for thought about the role of the artist in society.
Dan Rottenberg

Dan Rottenberg

Articles 6 minute read
Henderson (left) with Seth Reichgott: Equal-opportunity offender. (Photo: Mark Garvin.)

Lantern Theater's "New Jerusalem' (2nd review)

Hangin' out with good ol' Baruch

As created by David Ives and portrayed by Sam Henderson, Baruch de Spinoza provides warm and witty company for 21st-Century audiences, even if he bears little resemblance to the real headstrong 17th-Century philosopher.
Steve Cohen

Steve Cohen

Articles 5 minute read
Moyer (left), Altman: Banality of evil.

"Christie in Love' at Eastern State Penitentiary

Location, location, location

Howard Brenton's drama about a gory yet meek serial killer has been chilling audiences for more than 40 years, but never with such haunting effect as last month, when it was performed at Eastern State Penitentiary.
Steve Cohen

Steve Cohen

Articles 2 minute read

Lantern Theater's "New Jerusalem' (1st review)

Monster, saint, or both? Baruch Spinoza on trial

How much freedom is too much? For the great Baruch Spinoza, there could be no limit; but for the community that judged him, there had to be. The Lantern Theater's production does full justice to David Ives's challenging play of ideas.
Robert Zaller

Robert Zaller

Articles 7 minute read
Braithwaite (left), Dibble: From Nefertiti to Napoleon.

"The Big Bang' at Kimmel's Innovation Studio

Polonius had the right idea

This endearing musical about two theatrical producers in search of investors is original, funny, blissfully brief and blessed with the comic genius of two quick-change artists, Ben Dibble and Tony Braithwaite.

Jane Biberman

Articles 3 minute read