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Theater

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Page 176

Approaching and retreating: Julianna Zinkel, Clare Mahoney, Jessica Bedford, and Becky Baumwoll (left to right) in “Pride and Prejudice” at People’s Light. Photo by Mark Garvin.

‘Pride and Prejudice’ at People’s Light

The delicate dance of courtship

Dance plays a large part in the dramatization of Jane Austen’s Pride and Prejudice currently playing at People’s Light & Theatre Company.

Bill Murphy

Mar 06, 2014 Articles 2 minute read

Learning from (and about) each other. Photo by Matthew J Photography

'Circle Mirror Transformation' at Theatre Horizon

Getting to know you

Circle Mirror Transformation is an unusual play that demands close attention, as an instructor in a community-center adult acting class leads her students in intricate theater games.

Steve Cohen

Mar 06, 2014 Articles 2 minute read

David Bradley as God in "The Mysteries" by Tony Harrison, directed by Bill Bryden, National Theatre, London, 1999

Further thoughts on immersive theater

Audience participation? Let’s call it something else.

Carol Rocamora might have come across as a curmudgeon who rejects all immersive theater. Nothing could be farther from the truth.

Carol Rocamora

Mar 04, 2014 Articles 4 minute read

Belver (left), Coon: One man's identity quest.

'Beautiful Boy' at the Walnut

A male Alice in a Catholic Wonderland

Under the skillful direction of David Stradley, Eric Conger’s riveting tragicomedy about a young man’s search for his birth mother becomes a memorable experience.

Henrik Eger

Mar 04, 2014 Articles 4 minute read

Cooley (left), Kearns: Fish out of water.

Nina Raine’s ‘Tribes’ by PTC (3rd review)

An increasing number of plays portray the problems of minority groups. Tribes, about the hearing-impaired, achieves a rare universality. On the surface, it’s about deafness; at a deeper level, it’s about anyone who’s ever struggled to be heard.

Steve Cohen

Mar 04, 2014 Articles 3 minute read

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Cooley (right) and Hoeffler: No easy answers.

Nina Raine’s ‘Tribes’ by PTC (2nd review)

Empathy for the deaf

With one exception, everyone involved with Nina Raine’s Tribes knows about deafness, but they don’t know deafness. That’s the big stumbling block for any work on this subject aimed at a hearing audience.

Naomi Orwin

Mar 03, 2014 Articles 4 minute read

Audience members at Punchdrunk's “Sleep No More” (photo by Jason Goodman for “Vanity Fair”)

An immersive experience or audience abuse?

Is there such a thing as audience abuse? More and more these days, you run that risk when you go to the theater. The question is: Is it worth it? And why do we tolerate it?

Carol Rocamora

Feb 27, 2014 Articles 6 minute read

Taking a master class from a true master.

'The Tightrope' by Simon Brook

A glimpse into Peter Brook's creative process

The legendary Peter Brook is once again working his theatrical wonders — this time in a filmed master class called The Tightrope, directed with precision and reverence by his son, Simon.

Carol Rocamora

Feb 25, 2014 Articles 5 minute read

'Stop Hitting Yourself' at Lincoln Center Theater

Stop Hitting Yourself is an energetic, often entertaining attempt with a meaningful message. But these noble ends don’t justify some of their rough artistic means.

Carol Rocamora

Feb 20, 2014 Articles 5 minute read