Theater

2734 results
Page 179
DiCaprio: The good life? In what sense?

‘The Wolf of Wall Street’ and ‘The Winslow Boy’

The full Scorsese treatment (for someone who doesn’t deserve it)

Martin Scorsese’s voyeuristic Wolf of Wall Street glamorizes a Wall Street scam artist who enriched himself by breaking every law in the book. Meanwhile, the simple honest heroism of Terrence Rattigan’s The Winslow Boy went barely noticed this fall.

Carol Rocamora

Articles 5 minute read
Lazar: Gargantuan fairy godmother.

‘Cinderella Panto’ at People’s Light

Cinderella meets the Philadelphia Eagles

People’s Light has cornered a niche market with its annual nonsensical Panto production. I mean, where else can you embellish Cinderella with references to the Paoli Local, Ted Cruz’s government shutdown, The Elephant Man and Obamacare?

Carol Rocamora

Articles 3 minute read
Widdall (left), Olmstead: Between politics and show biz. (Photo: Ginger Dayle.)

New City Stage’s ‘Frost/Nixon’

Nixon meets his match

As this masterful production makes abundantly clear, makes clear, Frost/Nixon is really about television: how it simplifies complex ideas and entire careers into a single snapshot.
Mark Wolverton

Mark Wolverton

Articles 4 minute read
Perrier (above) is appropriately childlike, but why not the real thing?

Lantern’s ‘A Child’s Christmas in Wales’ (2nd review)

Even in Wales, was Christmas ever this somber?

Would it be too much to ask that a few kids be cast in a play that’s so purely wrapped up in the wonders of youth?
Jake Blumgart

Jake Blumgart

Articles 3 minute read

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Is this how Odysseus and Beowulf got started?

Lee Breuer’s ‘La Divina Caricatura’

A dog’s search for meaning

Lee Breuer’s two-and-a-half-hour multi-media music-driven puppet extravaganza is an American epic, featuring a dog with an addiction to a bad master and a longing for fame who spirals into the depths of popular cultural despair and unexpected spiritual teachings.
AJ Sabatini

AJ Sabatini

Articles 5 minute read
Kreitz (left), Lyons-Cox: Ridiculous, but so is The Bard. (Photo: Claire Horvath.)

Curio Theatre’s ‘Gender Comedy’

Do you really think Shakespeare’s comedies are funny?

In the sophomoric and absurd Gender Comedy, Curio Theater does to Twelfth Night what should be done to Twelfth Night.
Jake Blumgart

Jake Blumgart

Articles 3 minute read
Do Justin Bieber's fans deserve to be hoaxed?

Pig Iron’s ‘Twelfth Night’ (2nd review)

What would Shakespeare say?

Audiences at Twelfth Night laugh when Sir Toby Belch falls prey to Maria’s merry and deserving pranks. But nowadays, thousands of Internet surfers fall victim to not-so-merry pranksters hiding behind the cloak of anonymity. Oh, for the good old days.
Alaina Johns

Alaina Johns

Articles 5 minute read
Dibble (left), McClure: A theme that resonates.

‘Story of My Life’ in Wilmington

On re-connecting with an old friend

This sweet and unassuming musical about two friends drifting apart closed quickly on Broadway after a New York Times critic gave it the kiss of death. It deserved better, as two revivals have demonstrated.
Steve Cohen

Steve Cohen

Articles 2 minute read
Hawke (right) with Anne-Marie Duff: Power, ambition, control.

Why so many Macbeths?

Hamlet vacillates, Macbeth kills (and guess which we prefer?)

All of a sudden, Macbeth has become “the new Hamlet,” with five high-profile productions in the past two years. What does this ruthless murderer’s new popularity tell us about ourselves?

Carol Rocamora

Articles 5 minute read
Charles DelMarcelle with puppet narrator: Magical moments.

Lantern’s ‘A Child’s Christmas in Wales’ (1st review)

An antidote to sugarplum treacle

A Child’s Christmas in Wales is a Christmas show for people like me who hate Christmas shows but love stage enchantment without cliché or trite sentimentality.
Gary L. Day

Gary L. Day

Articles 2 minute read