Andrew Wyeth is not widely known as an abstract artist, but maybe he should be. A beautifully configured exhibition at the Brandywine Museum of Art looks closer. Gail Obenreder reviews.

Disney’s first large-scale musical returns to Philadelphia with big puppets and bigger talents worthy of the spectacle. Jill Ivey reviews.

Theatre in the X celebrates its 10th anniversary with Zooman and the Sign, a tremendous rumination on community violence in Philadelphia that is all too resonant today. Kiran Pandey reviews.

The BlackStar Film Festival landed in Center City for the first time this August. Hanae Mason reviews Going to Mars, Know Your Place, and Dancing the Stumble, three films examining our relationship to space and place.

For centuries, science was not an acceptable pursuit for women. But as a new exhibition at the American Philosophical Society shows, these groundbreaking scientists didn’t get the memo. Pamela J. Forsythe reviews.

Bucks County Playhouse presents a star-studded Bridges of Madison County that delivers all the thrill of awakening love. Josh Herren reviews.

A highly conceptualized production of True West at People’s Light offers striking visuals but scant drama. Cameron Kelsall reviews.

Politically charged yet emotionally joyous, a 1971 musical adaptation of Two Gentlemen of Verona knocks it out of Clark Park. Cameron Kelsall reviews.

With this adaptation of Sense and Sensibility, Pennsylvania Shakespeare Festival breathes new life into a literary classic that even newcomers to Austen will love. Mina Reinckens reviews.

North Wilmington’s Rockwood Park, with its own alleged hauntings, makes an appropriately chilling setting for Delaware Shakespeare’s summer outing with the Scottish Play. Gail Obenreder reviews.