Exploring identity and community through dance

PHILADANCO! is Explosive! in its spring series

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Portrait of Dao, a Vietnamese man, in black formal wear against a black backdrop.
Thang Dao revisits his 2021 piece Roked, with a new title and perspective. (Photo by Irby Pace.)

April is a big month for PHILADANCO! On April 21, Mural Arts will unveil the design for a new mural honoring Philadelphia’s landmark women in dance, including DANCO’s founder and artistic advisor Joan Myers Brown. But before the big reveal, the company returns to the Kimmel Center’s Perelman Theater April 17 through 19 for its spring series, Explosive!

The program includes new works from choreographer Nicole Clarke-Springer and Roderick George. Thang Dao is revisioning his 2021 piece, Roked, now retitled Without Witness, and the company is bringing back Christopher Huggins’ 2003 Blue. Huggins is one of my favorite choreographers, and Blue shows off the lyricism of the men of the company as well as their speed and athleticism. So I expect DANCO’s trademark explosive dancing. But the evening also explores community in all its joys and sorrows.

Community in the time of diaspora

Before the dancers take to the stage, I had a chance to chat with George and Dao. Dao said that he’s changing more than the title of his piece. Roked was like a first draft about life and dancing, but he knew he had to go deeper. There is still joy, he said, but the dance takes on the diaspora and grief as well. Dao was born in Vietnam, and he says, “my history seeps into my work as a Vietnamese person.” So his movement is influenced by his foundation in Western forms of ballet and contemporary, but also street and club dancing he grew up with and his heritage. “The Vietnamese community, the movement, lives in the body,” he said.

For Without Witness, Dao wants to show what it means to be a part of the diaspora. He had to research his own past, he said, because his parents wouldn’t talk about it, and he discovered the hardship they survived that made communication so difficult in the Vietnamese community. He sees his work as an attempt to bridge that silence and heal the disconnect. It’s a love letter, he said, to all his communities: the Vietnamese community he grew up in, and his dance and gay communities.

Healing and community are at the heart of George’s Temple Without Prayer as well. His 2025 work, Missing Fruit, was inspired by his experience watching the Black Lives Matter movement from afar: “I was very safe in Europe, and I kept thinking about my friends, my family, my community.” Temple Without Prayer, he says, continues that exploration with an awareness of where we are today in the country.

“Everyone wants to have hope.” George said, and he wants the audience to think about what it means to be hopeful in a community with strong religious ties when “We’re seeing in real time how religion has transitioned into something very, very toxic. And we are saying no, we don’t believe in that thing, but we believe in this thing.” George said that the work reflects how the community is being pushed to forget who they are, but it “reminds us that our bodies remain temples of memory, joy, and resilience.”

Rounding out an evening of community, Nicole Clarke-Springer says that she brings spiritual grounding, legacy, and community to her process. Her Passing Through Stillness explores a creative awakening “where instinct, discipline, and spirit converge.”

What, When, Where

Explosive! Choreography by Nicole Clarke-Springer, Thang Dao, Roderick George, and Christopher Huggins. Presented by PHILADANCO! $40-$63. April 17-19, 2026, at the Kimmel Center’s Perelman Theater, 260 S. Broad Street, Philadelphia. (215) 387-8200 or ensembleartsphilly.org.

Accessibility

The Kimmel Center is wheelchair-accessible from both its east (Broad Street) and north (Spruce Street) entrances. Entrances are at sidewalk level (no steps). Ramps and/or level floors enter every level of Marian Anderson Hall and Perelman Theater. A curb cut on the corner of Broad Street and Spruce Street allows for access from the sidewalk. See more online.

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