Music

1939 results
Page 107

Tempesta di Mare's "Messiah'

Messiah, without the Christmas haze

Tempesta di Mare presented a St. Patrick's Day reminder that there's more to Irish culture than green hats and beer-soaked rowdies.
Tom Purdom

Tom Purdom

Articles 4 minute read
Bonhoeffer: The liturgy he deserved.

Thomas Lloyd's "Bonhoeffer' (2nd review)

A martyr's gamble (and a composer's too)

Thomas Lloyd calls his Bonhoeffer a “choral theater piece,” which is exactly right. It's 70 minutes of choral singing, but this tribute to a World War II martyr doesn't present itself as a choir performance. Watching it is like watching an elaborate church service play out.
Kile Smith

Kile Smith

Articles 4 minute read
Hanafusa: Jazz-inflected snap.

Harumi Hanafusa with the Knickerbocker Chamber Orchestra

A shaman, a Frenchman, and a mythical city

The Japanese pianist Harumi Hanafusa, a welcome addition to the New York cultural scene, brought two very different concertos to her Pace University performance with the Knickerbocker Chamber Orchestra: Ravel's familiar Concerto in G and Akira Nichimura's A Shaman, in its debut.
Robert Zaller

Robert Zaller

Articles 3 minute read
While Buchbinder played, the real drama unfolded below him.

A moment of crisis at the Orchestra (3rd comment)

One night at the Orchestra: A community and a crisis

Something unusual occurred at Saturday night's Philadelphia Orchestra concert, apparently unnoticed by local music critics. On the surface it had nothing to do with the music. But maybe it did.
Dan Rottenberg

Dan Rottenberg

Articles 3 minute read
Lloyd: A weakness at the heart.

The Crossing's disappointing "Bonhoeffer' (1st review)

A heroic martyr who deserved better

The Crossing premiered a disappointing work on a promising subject: A theologian who sacrificed his life by opposing Hitler.
Tom Purdom

Tom Purdom

Articles 4 minute read
Dohnányi: Beethoven was once a young man, too.

Dohnányi conducts the Philadelphia Orchestra (2nd review)

The youth of an octogenarian

How do you save a modern orchestra? Restoring public education is the first step. Then, can the gimmicks and play great music as well as conductor Christoph von Dohnányi and soloist Rudolf Buchbinder did this past weekend.
Robert Zaller

Robert Zaller

Articles 6 minute read
For von Dohnányi, a few terse gestures suffice.

Dohnányi, the "non-Yannick' (1st review)

The return of ‘old school' conducting

Amid the well-deserved hoopla over Yannick Nézet-Séguin, Christoph von Dohnányi reminded Philadelphia audiences why many musicians venerated an old-fashioned Central European conductor like Wolfgang Sawallisch.

Articles 3 minute read
Kaufman tempted: Handsome, sweet and clueless.

Wagner's "Parsifal' at the Met

No country for wise men

Wagner's Parsifal may lack much in the way of a story or singable tunes, but the new Metropolitan Opera production exquisitely captures the spirit of holy Christian reverence that lies at its heart.
Steve Cohen

Steve Cohen

Articles 5 minute read
Orchestra upstaged by a trapeze act: What would Jules Feiffer say?

Yannick at cruising speed (2nd review)

Memo to Yannick: You're my man, but please skip the gimmicks

I now await Yannick's Philadelphia Orchestra concerts with the same anticipation I felt for Leonard Bernstein in 1960. But were those visuals and the trapeze act grafted on to Le Sacre du Printemps really necessary?
Dan Coren

Dan Coren

Articles 4 minute read
Priscilla Smith: Dancing fingers on the shawm. (Photo: Jeffrey Hornstein.)

Across 500 years: Piffaro teams with Orchestra 2001 (1st review)

Old wine in new bottles (and vice versa)

Although five centuries separate their music, Piffaro and Orchestra 2001 mounted a joint concert that celebrated two of Philadelphia's happiest cultural developments of the last 40 years.
Tom Purdom

Tom Purdom

Articles 5 minute read