Music

1939 results
Page 109
Roberts: Like a cheerful human whistler.

Tempesta di Mare's Bach with alterations

Bach without his organ

Tempesta di Mare sustained an old Baroque tradition, remodeling six of Bach's organ works to suit other instruments.
Tom Purdom

Tom Purdom

Articles 3 minute read
Did Debussy really 'hear' the sea?

Two birds, one composer (Part II)

The composer's quandary: What does emotion really sound like?

Watching a fight between two birds had inspired me. Now came the real challenge: to pinpoint my emotion and translate it into music. Generic emotion, I knew, produces generic music, just as it produces bland acting, uninvolving painting, and vanilla poetry.
Kile Smith

Kile Smith

Articles 5 minute read
20 publishers rejected Harry Potter for fear that his story wouldn't sell.

Shostakovich and free speech (3rd comment)

Shostakovich's problem, and ours

Even in a “free” society, creative people must confront the challenge that Shostakovich addressed in Stalin's Soviet Russia with his “Classical Symphony”: What do you do when your creative impulses conflict with the demands of the people who pay for your work?
Tom Purdom

Tom Purdom

Articles 6 minute read
Djupstrom: The excitement of a tightrope act.

Michael Djupstrom's contemporary pieces

The other side of the street

Like many young composers, Michael Djupstrom gives his work titles that link to stories and personal experiences. But in his case that's not necessary.
Tom Purdom

Tom Purdom

Articles 3 minute read
Yannick took Bruckner outdoors. (Photo: Chris Lee.)

Yannick's new take on Bruckner

Bruckner, unhurried and very Austrian

Never have I heard Bruckner sound so Austrian as he did last weekend under Yannick's baton— not Classical, not Wagnerian, but relaxed in an Austrian way.
Steve Cohen

Steve Cohen

Articles 2 minute read

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Goode made the audience forget the problem.

Richard Goode plays late Beethoven

Realms of elation

Richard Goode's annual Philadelphia recital brought a lifetime of engagement to Beethoven's last three piano sonatas, which collectively constitute one of the summits of musical literature.
Robert Zaller

Robert Zaller

Articles 5 minute read

Orchestra's "inter-war' concert (2nd review)

A tyranny Yannick never knew

Yannick Nézet-Séguin is only 37, with no conscious memory of Stalin or Hitler. Yet he instinctively grasped the emotions of composers who suffered under those tyrants.
Steve Cohen

Steve Cohen

Articles 3 minute read
De Guise-Langlois: A talented father, too.

Clarinet debut: Romie de Guise-Langlois

Memories, encounters and good news from Syria

In her Philadelphia recital debut, Romie de Guise-Langlois explored the development of the clarinet repertoire, including a premiere that may evoke her earliest memories.
Tom Purdom

Tom Purdom

Articles 3 minute read
Tokyo Quartet: Four decades of unique interaction.

Tokyo Quartet's farewell at the Perelman

Going out in style

The Tokyo Quartet has been one of the world's premier ensembles for nearly half a century. In its penultimate Philadelphia recital, it fittingly provided a sense of the continuity of the Western Classical tradition
Robert Zaller

Robert Zaller

Articles 5 minute read
Was that red-tailed hawk a predator or a victim?

The hawk, the hummingbird and the composer (Part I)

Mother Nature's wonderful world of killing (and one composer who's grateful for it)

Outside my porch, a hawk struggled for survival with a hummingbird. On my porch, I struggled to produce a commissioned work of music. And you wonder where composers find our inspiration.
Kile Smith

Kile Smith

Articles 4 minute read